From director-writer-producer Todd Field comes Tar, starring Cate Blanchett as the iconic musician, Lydia Tar. The film examines the changing nature of power, its impact and durability in our modern world.
Jason Bateman and Rachel McAdams star as Max and Annie, whose weekly couples' game night gets kicked up a notch when Max's brother (Kyle Chandler) plans a murder mystery party that turns out to be more than they bargained for.
From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson. Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.
"Amadeus" triumphs as gripping human drama, sumptuous period epic, glorious celebration of the music of Wolfgang Amadeus Mozart. It's 1781 and Antonio Salieri (F. Murray Abraham) is the competent court composer to Emperor Joseph II. When Mozart (Tom Hulce) arrives at court, Salieri is horrified to discover that the godlike musical gifts he desires for himself have been bestowed on a bawdy, impish jokester. Mad with envy, he plots to destroy Mozart by any means. Perhaps, even murder.
An outstanding accomplishment in every way, this lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Tsarist Russia. Nominated eight Academy Awards (1971), including Best Picture and Best Director and featuring such classic songs as "If I Were a Rich Man", "Matchmaker" and "Sunrise, Sunset", 'Fiddler on the Roof' is a universal story of hope, love and acceptance - a musical masterpiece.
When Walter Craig (Mervyn Johns) visits a country house, he finds himself trapped in his recurring nightmare that involves the manors guests sharing their experiences with the supernatural. With each bizarre tale told, whether it be about a haunted mirror or a ventriloquist tormented by his dummy, Craig hurtles closer and closer to the nightmare's end, where he knows something awful will happen...
A Man Escaped (1956)Un condamné à mort s'est échappé ou Le vent souffle où il veut
Based on the true story of Resistance fighter Andre Devigny, who was imprisoned and sentenced to death by the Nazis during the Second World War, the film reconstructs his actual cell at the Lyons fortress of Montluc, and follows his meticulous plans for escape. This totally involving and thrilling tale of courage and faith is all the more authentic for its use of non-professional actors and Bresson's spare style.
Cabaret brings 1931 Berlin to life inside and outside the Kit Kat Klub. There, starry eyed American Sally Bowles (Liza Minnelli) and an impish emee (Joel Grey) sound the call for decadent fun, while in the street the Nazi party is beginning to grow into a brutal political force. Into this heady world arrives British language teacher Brian Robert (Michael York) who falls for Sally's charm and soon, the two of them find themselves embroiled in the turmoil and decadence of the era.
The recently dead return to life and seem content merely to go back to their former lives, but their return causes a myriad of complications. Isham and Véronique have their trepidations, but they're generally happy, at first, to see their little boy Sylvain, and the town's elderly mayor welcomes home his wife, Martha . But Rachel, a government health official, cannot bring herself to visit her newly returned husband, Mathieu, at the ad-hoc shelter where the government houses the "zombies" like refugees. Eventually, she relents, and Mathieu returns home, but the living find that their loved ones are not exactly as they remember them. Studies soon reveal that the dead suffer from a form of aphasia. They cannot create new memories, and they cannot be trusted to perform any but the most menial tasks. Perhaps sensing the discomfort they cause the living, the dead gather together at night, and seem to be formulating some kind of secret plan.
George Bailey (James Stewart) has spent his entire life in the small town of Bedford Falls. Despite his yearning to see the world, George has always sacrificed his personal ambitions for the sake of his family and the local community, settling down to marry his childhood sweetheart, Mary (Donna Reed), and raise a family. However, when a huge amount of money goes missing from the savings and loans company he panics and finds himself preparing to commit suicide. However, he is shown the error of this idea by Clarence (Henry Travers), an angel who has been sent to Earth in order to earn his wings. To this end, Clarence shows George just how badly Bedford Falls and its residents would have turned out had he never been born.
In 1966 Tulsa, teenagers come two ways. If you're a "Soc", you've got money, cars, a future. But if you're a "Greaser", you're an outsider with only your friends...and a dream that someday you'll finally belong. Francis Ford Coppola's powerful film of S.E. Hinton's classic novel captures how it feels to be caught between childhood's innocence and adulthood's disillusionment.
At the height of the First World War, two young British soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers - Blake's own brother among them.
After his inevitable arrest (and almost immediate release), Michel (Martin LaSalle) reflects on the morality of crime, developing a vague theory that exceptional individuals are above the law. Lost in another world, he rejects his friends in favour of a life of crime and is seemingly set on finding his place in the world by engineering a head-on collision with society.
Two women, Janis (Penélope Cruz) and Ana (Milena Smit), meet in a hospital where they are about to give birth. Both are single and became pregnant by accident. Janis, middle-aged, has no regrets and is exultant. The other, Ana, an adolescent, is scared and repentant. Janis tries to encourage her as they move like sleepwalkers through the hospital corridors. The few words they exchange in these hours will create a very close link between them, which by chance will develop and complicate, changing their lives in a decisive way.
There is a hidden society at the end of the world. One thousand men and women live together in unbelievably close quarters, risking their lives and sanity in search of cutting-edge science. Now, for the first time, an outsider has been admitted. In his film adventure Werner Herzog travels into the vast expanses of Antarctica - a land of fire and ice nearly twice the size of Australia. Using what are, at times, life endangering filming techniques, Herzog discovers a previously unseen world, above and below the ice cap that is teeming with awe-inspiring and seemingly alien life.
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