As long as young hearts endure, so will National Velvet and movies like it. In her starmaking role, Elizabeth Taylor plays Velvet Brown, a wide-eyed adolescent who, assisted by her jockey pal (Mickey Rooney), trains Pie, a horse she won in a raffle, for the Grand National Steeplechase. Of course, no girl can ride in the National, can she? Yet Velvet, posing as a boy, assuredly does.
Not only is Thoroughly Modern Millie a zany romantic spoof of the Roaring Twenties, it's a musical that won an Oscar for Best Original Music Score! Julie Andrews stars as Millie, an innocent country girl who comes to the big city in search of a husband. Along the way she becomes the secretary of the rich and famous Trevor Graydon (John Gavin), befriends the sweet Miss Dorothy (Mary Tyler Moore), fights off white slaver Mrs. Meers (Beatrice Lillie) and hooks up with a lively paper clip salesman, Jimmy (James Fox). In the end it takes a rich and nutty jazz baby like Muzzy (Carol Channing) to unravel all these complications, give a great party, and match up lovers.
Holidaying in Barbados in the hope of overcoming the unhappiness of a broken love affair, Englishwoman Judith Farrow (Julie Andrews) meets debonair Russian Feodor Sverdlov (Omar Sharif). As they explore the island paradise together and their mutual feelings grow, so too do the suspicions of the intelligence agencies in both London and Moscow. In a world where no-one is to be trusted and appearances can be fatally deceptive, every move they make is being watched...
Driving Miss Daisy stars Jessica Tandy and Morgan Freeman in a simple but compelling story. Opening in 1948, when Miss Daisy (Jessica Tandy), an elderly widow, backs her Packard into her neighbour's prized garden. Her frustrated son (Dan Aykroyd) insists she allow him to hire a driver, played by Morgan Freeman. So begins a friendship that blossoms over the next 25 years until her mid 90s.
Eben Adams (Joseph Cotten) is a struggling and mostly failing New York artist until one day, in Central Park, he meets Jennie (Jennifer Jones). Jennie seems to possess an almost mystical quality and as Eben sketches her, his work shows more expression and emotion than anything he has ever done before. But before he knows it, Jennie has disappeared. Eben frantically searches for his mysterious model and when they meet again a few weeks later, Jennie seems to have aged several years. What then unfolds is one of the most unusual and unforgettable love stories ever told as they are both swept up in a strange love that even time cannot contain.
The hero of Julien Vuvivier's film is an expensive dress coat, which affects the fortunes and misfortunes of all who wear it. In these five sumptuous vignettes set for the most part in New York, the black formal coat is the only linking device. We first come across the coat in short noir about a matinee idol (Charles Boyer) embroiled in a love triangle with a callous woman (Rita Hayworth) and her sadistic husband. Time second is a comical tale starring Ginger Rogers, Cesar Romero and Henry Fonda about a love cheat and his best friend. The third is a tearjerker with Charles Laughton as an amateur musician yearning to play in an orchestra. Edward G. Robinson stars in the fourth as a down-and-out lawyer who reluctantly attends his college reunion. Paul Robeson stars in the final fable, which concludes the coat's journey.
Based on the story by Graham Greene, 'Went the Day Well?' is a classic piece of propagandist entertainment, a warning to British citizens to remain ever alert for the arrival of the enemy. A rare foray into darker material by Ealing Studios, Alberto Cavalcanti's film tells the story of a quiet English village which has been infiltrated by German soldiers masquerading as British troops, leaving the plucky villagers to uncover the plot and fight back.
Divorced and disillusioned, Roslyn Tabor (Marilyn Monroe) befriends a group of "misfits", including an ageing cowboy (Clark Gable), a heartbroken mechanic (Eli Wallach) and a worn-out rodeo rider (Montgomery Clift). Through their live-for-the-moment lifestyle, Roslyn experiences her first taste of freedom, exhilaration and passion. But when her innocent idealism clashes with their hard-edged practicality, Roslyn must risk losing their friendship... and the only true love she's ever known.
Based on a true story, 'Vita and Virginia' details the passionate relationship between literary trailblazer Virginia Woolf (Elizabeth Debicki), and enigmatic aristocrat Vita Sackville-West (Gemma Arterton). When their paths cross, the magnetic Vita decides the beguiling, stubborn and gifted Virginia will be her next conquest, no matter the cost. The ensuing relationship leads to the birth of Woolf's bold, experimental novel 'Orlando'. A daring celebration of an unconventional bond, and a vivid exploration of gender, sexuality, creativity and passion, 'Vita and Virginia' details the love story of two women - two writers - who smashed through social barriers to find solace in their forbidden connection.
Alain Delon in his star-making role, plays Tom Ripley, an American who travels to Europe on an all-expenses-paid mission to convince his friend, the charismatic playboy Philippe Greenleaf (Maurice Ronet), to travel to San Francisco at the request of the wealthy Greenleaf family. Initially, the pair enjoy the good life in Italy, often to the anger and dismay of Philippe's much put-upon fiancee Marge (Marie Laforet). However, as Tom's funds begin to run dry, it becomes more and more apparent that Philippe has no intention of returning to the U.S., forcing Tom to consider more calculated means of maintaining his extravagant lifestyle.
San Francisco architect Max Klein can see clearly now. He's been transformed ever since he stared death in the face - and discovered he was unafraid. Peter Weir (Witness) directs 'Fearless', the vivid story of how a near-death experience impacts the lives of three people. Jeff Bridges plays Max, more wildly alive and taking more risks than ever since surviving a plane crash. Isabella Rossellini is Laura, struggling to find in Max the man she married. And Rosie Perez, 1993 Academy Awardr nominee and Los Angeles, Boston and Chicago Film Critics Award winner - Best Supporting Actress, is fellow crash survivor Carla: alive, yet devastated by a grievous loss. It seems no one can heal her pain. But then she meets the one person who fearlessly knows how.
In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering mirrored and gold-filled interiors. The energy is electrifying, due to a luminous cast. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambience to fully-lit pageantry and rage.
Based on the Ed McBain novel, 'High and Low' is a gripping police thriller starring Toshiro Mifune. Wealthy industrialist Kingo Gondo (Mifune) faces an agonising choice when a ruthless kidnapper, aiming to snatch his young son, takes the chauffeur's boy by mistake - but still demands the ransom, leaving Gondo facing ruin if he pays up. An anatomy of the inequalities in modern Japanese society, High and Low is a complex film noir, where the intense police hunt for the kidnapper is accompanied by penetrating insight into the kidnappers state of mind. Kurosawa's virtuoso direction provides no easy answers, and in short, intense sequences, he portrays the businessman, the police and the criminal as equally brutal but nonetheless human.
When the banks committed the greatest fraud in US history, four outsiders risked it alt to take them down. Based on the unbelievable true story and best-selling book from the author of 'The Blind Side' and 'Moneyball', critics are calling 'The Big Short' "slick and funny".
Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director's own nighttime visions, along with stories from Japanese folklore. In a visually sumptuous journey through the master's imagination, tales of childlike wonder give way to apocalyptic apparitions: a young boy stumbles on a fox wedding in a forest; a soldier confronts the ghosts of the war dead; a power plant meltdown smothers a seaside landscape in radioactive fumes. Interspersed with reflections on the redemptive power of creation, including a richly textured tribute to Vincent van Gogh (who is played by Martin Scorsese), 'Akira Kurosawa's Dreams' is both a showcase for its maker's artistry at its most unbridled and a deeply personal lament for a world at the mercy of human ignorance.
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