Jules (Frederic Andrei) is a Parisian mail courier in possession of two highly sought-after tapes: the first contains a rare recording of American opera singer Cynthia Hawkins (Wilhelmenia Wiggins Fernandez), with whom he has fallen in love; the second is a tape slipped into his bag by a young woman just before she is murdered. The unwitting Jules thus finds himself being pursued by Taiwanese bootleggers and a thuggish gang of drug dealers who will do anything to get their hands on the cassettes.
Horace Rumpole (Leo McKern) is a down-at-heel yet brilliant barrister. Fond of quoting Wordsworth, he comes to the defence of shoplifting vicars, overly amorous teachers and many others who pass through the doors of the Old Bailey. He is famed for always winning his cases but there is one person who he has never beaten - his wife "She Who Be Obeyed".
Set in occupied France, the film opens in the summer of 1944 as Lucien, our troubled teen hero, expresses an interest in assisting the local resistance movement. He is turned down and, after a chance encounter, signs up as a collaborator for the Gestapo. Easily seduced by the power and apparent glamour of the position, he soon forgets his old life. The Gestapo also allows Lucien to give in to his most nihilistic urges. When he develops a strained relationship with a Jewish tailor - and falls for his beautiful daughter - he becomes increasingly compromised and is forced into examining his real identity.
Barbara (Margaret Lockwood) after stealing her best friend's fiance and marrying him, becomes bored with her life in a country mansion and takes to highway robbery as a thrilling way to put some excitement into her life. One night she meets the dashing Captain Jackson (James Mason), a fellow highwayman, and the two embark on a passionate and nocturnal affair. Barbara's unusual habit of sleeping all day does not go unnoticed, and when she is recognised as a robber; she turns to murder to keep her secret.
A recovering alcoholic (Maurice Ronet) decides to commit suicide. He spends 24 hours wandering through Paris and visiting old friends, hoping to find some meaning to life and a reason to go on living.
Go deeper into the medical mysteries of House, TV's most compelling new drama. Hugh Laurie stars as the brilliant but sarcastic Dr. Gregory House, a maverick physician who is devoid of bedside manner. While his behaviour can border on antisocial, Dr. House thrives on the challenge of solving medical puzzles that other doctors give up on. Together with his handpicked team of young medical experts, he'll do whatever it takes in the race against the clock to solve the case.
What Ho!, you lovely young ladies and frolicsome chaps. Weve put together a sizzling collection containing all the scrummy stories from our very first television series. All the hooha began when I got myself a brand new valet, my good man Jeeves. Since then Ive had a ballyho time of it with all kinds of close shaves. Ive had to help old Bingo Little with a bit of a girl problem, and waste splendid summer days at the Drones Club Golf Tournament and Twing village fete. On top of everything my dreaded Aunties, Agatha and Dahlia, have been matchmaking again and trying to entangle me with all kinds of frightful females. Oh well, never mind, Jeeves and I are in for a spiffing time at the shoot later today. Not even we can get into any more scrapes with just the boys, their dogs and their gunscan we?!
Malle's a debut feature, made when he was only 25 is a tense thriller starring Jeanne Moreau as Florence and Julian Tavernier as Maurice, a pair of lovers who conspire to murder Florence's husband in the most ingenious manner. However, not everything goes quite as planned. Lift to the Scaffold is arguably the first film of the French New Wave with its arresting camerawork by cinematographer Henri Decae, who also shot the debut film of Truffaut and Chabrol. With its sultry black and white palate, Paris locations and an improvised jazz score by the legendary Miles Davis, Lift to the Scaffold is an unforgettable slice of 50s French cool.
Whilst touring in France, a young couple (Rex and Saskia) stop for a break at a roadside service station. Saskia (Johanna ter Steege) leaves Rex (Gene Bervoets) to browse around the shops and vanishes leaving no clues as to her whereabouts. Three years later Rex begins to receive taunting postcards from Saskia's supposed abductor and is drawn into a terrifying battle of cat and mouse in his desperate quest to discover the fate of his missing lover.
Bergman's masterpiece of self-doubt, identity and eroticism is an audacious example of cinematic art. The notional story centres on newly mute actor Elisabet (Liv Ullmann) recuperating at her coastal holiday home in the care of a nurse, Alma (Bibi Andersson). As tensions between the pair grow, their very selves seem to blur, chronology becomes uncertain and what is real and unreal loses significance. Yet the true impact of Persona goes beyond mere storytelling, touching, as Bergman said, 'wordless secrets that only the cinema can discover'.
Professional photographer Thomas saw nothing. And he saw everything. Enlargements of pictures he secretly took of a romantic couple in the park reveal a murder in progress. Or do they? Blowup is an influential, stylish study of paranoid intrigue and disorientation. It is also a time capsule of mod London, a mindscape of the era's fashions, free love, parties, music (Herbie Hancock wrote the score and The Yardbirds riff at a club) and hip langour. David Hemmings plays the jaded photog enlivened by the mystery in his photos. Vanessa Redgrave is the elusive woman pictured in them. And the enigma of what you see, what you don't see and what the camera sees is yours to solve.
With her Oscar-winning turn in 'Klute', Jane Fonda reinvented herself as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels - a call girl and aspiring actor who becomes the focal point of a missing-person investigation when detective John Klute (Donald Sutherland) turns up at her door - Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood. Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula, and lensed by master cinematographer Gordon Willis, 'Klute' is a character study thick with dread, capturing the mood of early-1970's New York and the predicament of a woman trying to find her own way on the fringes of society.
David Fincher's 'The Social Network' is the stunning tale of a new breed of cultural insurgent: a punk genius who sparked a revolution and changed the face of human interaction for a generation, and perhaps forever. Shot through with emotional brutality and unexpected humour, this superbly crafted film chronicles the formation of Facebook and the battles over ownership that followed upon the website's unfathomable success. With a complex, incisive screenplay by Aaron Sorkin and a brilliant cast including Jesse Eisenberg, Andrew Garfield and Justin Timberlake, 'The Social Network' bears witness to the birth of an idea that rewove the fabric of society even as it unravelled the friendship of its creators.
Ryan Bingham (George Clooney) is truly living the high life. Flying all over the world on business, he never stops moving until he meets Alex (Vera Farmiga), a fellow passenger and learns that life isn't about the journey, but the connections we make along the way. Acclaimed by critics and audiences everywhere, 'Up in the Air' is light and dark, hilarious and tragic, bouncy and brainy, romantic and real.
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