Picture the setup: near-fascist America turns adolescent misery into primetime entertainment, and the only rule is keep walking. Not a metaphor, not a motivational slogan — a commandment. The really creepy bit is that Stephen King cooked the idea up at university in the late ’60s, and here we are, decades later, treating it like a handy bit of fiction rather than a public service announcement.
But the film’s been marketed to death. The trailer doesn’t tease; it summarises. So the first stretch can’t build much dread, because you already know the route. Once the premise is established, the middle portion starts to repeat itself: warning, stumble, calculation, cruelty, rinse, repeat. That might be the point — systems are monotonous, brutality is boring — but cinema still needs rhythm, not just mechanism.
There are compensations. David Jonsson walks in with real screen electricity — the sort you can’t fake, the sort casting directors go feral for. Cooper Hoffman… I’m less sold. He’s fine, but he doesn’t quite anchor the thing the way it needs. Still, the friendship does register, which matters, because without that human thread it’s just a treadmill with bullets. And yes, Mark Hamill turns up, and if you don’t spot him straight away you’ll feel mildly foolish.I did.
The ending arrives and… sort of sits down. It isn’t outrageously bad, it’s just dutiful. Yet any “satisfying” alternative would be a cheat. This is a story about a machine. Machines don’t do catharsis. They do output.
Adapted from an early Stephen King novel this is a film that falls into the dystopian cycle of films where a future society devises some game or contest where it's win or die and designed to benefit society in some warped way; films such as Battle Royale (2000), The Hunger Games series, The Purge series or The Running Man (1987 & 2025) for example. Here in a collapsed USA, after some big war, society is in lethargy and the military control a televised contest where 50 teenage boys are selected by ballot to endure the Long Walk. Fall behind, break any of the rules or even slow down and you get shot until the last man standing wins riches beyond his dreams. This is meant to inspire people! The narrative is one that has to focus on the conversations between the contestants as they reveal their motives for competing and their various issues in the depressed lives they all lead. The deaths are often bloody and shocking but ultimately it's a film involving a lot of walking and talking. It's interesting enough highlighted by the presence of Mark Hamill as the nasty military man and Judy Greer as a worried mother of the main character played by Cooper Hoffman. It's ok but all feels a little too contrived and the ending seems both predictable in one way, surprising in another and ultimately a little disappointing.