You don’t really watch this so much as sit there with your stomach clenched. Kaouther Ben Hania builds The Voice of Hind Rajab around the real emergency calls of a five-year-old girl trapped in a car in Gaza, pinning us in a single, airless dispatch centre as Red Crescent staff try to keep her talking and get help to her. When her small voice calmly repeats her name and location, it’s awful in the plainest sense.
As filmmaking, it’s impressively tight. The real-time structure mostly holds, the performances feel genuinely frayed, and the sound design does much of the work: phones crackling, drones overhead, distant shelling you can’t see but can’t tune out either.
What lingers, though, is unease. Turning a child’s final calls into a high-end pressure-cooker thriller is powerful, but also queasy. I’m not sure it quite earns the right to be this suspenseful, even if it makes sure Hind is impossible to forget.