Rent Sirât (2025)
- General info
- Available formats
- Synopsis:
- A father (Sergi López) and his son (Bruno Núñez Arjona) arrive at a rave deep in the mountains of southern Morocco. They're searching for Mar - daughter and sister - who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.
- Actors:
- Sergi López, Bruno Núñez Arjona, Stefania Gadda, Joshua Liam Herderson, Richard 'Bigui' Bellamy, Tonin Janvier, Jade Oukid, Ahmed Abbou, Abdellilah Madrari, Mohamed Madrari
- Directors:
- Oliver Laxe
- Producers:
- Agustín Almodóvar, Pedro Almodóvar, Domingo Corral, Xavi Font, Esther García, Oliver Laxe, Oriol Maymó, Mani Mortazavi, César Pardiñas, Andrea Queralt
- Writers:
- Santiago Fillol, Oliver Laxe
- Others:
- Domingo Corral, Amanda Villavieja, Laia Casanovas, Yasmina Praderas
- Aka:
- Sirat / Sirât: Trance en el desierto
- Genres:
- Action & Adventure, Drama, Thrillers
- BBFC:
- Release Date:
- 25/05/2026
- Run Time:
- 114 minutes
- Languages:
- Arabic, English, French, Spanish
- Subtitles:
- English
- Formats:
- Pal
- Aspect Ratio:
- Widescreen 1.85:1
- Colour:
- Colour
- BLU-RAY Regions:
- B
- BBFC:
- Release Date:
- 25/05/2026
- Run Time:
- 114 minutes
- Languages:
- Arabic, English, French, Spanish
- Subtitles:
- English
- DVD Regions:
- Region 2
- Formats:
- Pal
- Aspect Ratio:
- Widescreen 1.85:1
- Colour:
- Colour
- BLU-RAY Regions:
- B
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Reviews (1) of Sirât
Rave to Wreckage - Sirât review by griggs
You can almost smell the dust and sweat. For a while this plays like a desert road movie with a rave heartbeat — all thump, glare, and decisions made at 3am. Sirât has the kind of opening that properly promises trouble in the best way.
The vibe is Noé’s sensory assault filtered through Östlund’s deadpan cruelty, all the while being egged on by Guy Maddin. Postcards land from Zabriskie Point, gears grind from Wages of Fear, and dust flies in the wake of Mad Max’s chassis. Then it swerves. A sudden, ugly escalation lands, and the story can’t quite absorb the shock; scenes start feeling less like choices and more like evasions.
Sergei López does what he can to anchor the chaos, and I’ll grant the film its nerve. But the final stretch reaches for “mind-blowing” but mostly just blows the film apart. Bold, yes. Coherent, no.