After a bitter divorce, Miriam (Léa Drucker) and Antoine (Denis Ménochet) battle for sole custody of their son, Julien (Thomas Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something with the truth buried in a web of deceit and jealousy. When the judge awards joint custody, an already tense situation soon brings the family's fraught past to light. And as the truth slowly begins to emerge, a chain of events is set in motion with Julien an innocent bystander in an increasingly dangerous situation.
The BAFTA-nominated and Sundance Award-winning 'Three Identical Strangers', that they are identical triplets, separated at birth and adopted to different parents. The trio's joyous reunion in 1980 catapults them to fame but it also sets in motion a chain of events that unearths an extraordinary and disturbing secret that goes far beyond their own lives - a secret that might one-day answer key questions at the heart of all human behaviour.
After an epic battle against the Borg (cybernetically-enhanced life forms) Captain Picard (Patrick Stewart) and the crew of the Enterprise follow the Borg Sphere back into the 21st century to prevent the Borg from contaminating Earth's timeline and preventing Earth's first contact. Picard and the crew must work together to battle the Borg Queen (Alice Krige) before she assimilates all of mankind and changes history forever. Resistance is futile.
Bing Liu's Academy Award-nominated documentary 'Minding the Gap' is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
In Francois Ozon's absorbing and affecting drama, Charlotte Rampling gives one of the best performances of her career as Marie, a college lecturer who has been happily married to Jean for over 25 years. Whilst on holiday, they visit a deserted beach where Marie lazes in the sun while Jean sets out for a swim - from which he never returns. Some time later in Paris, Marie has resumed her life but refuses to accept that Jean has drowned, continuing to think of him in the present tense and resisting her friends' well-meaning attempts to interest her in other men. Ozon's most mature film to date, 'Under the Sand' is dominated by Rampling's astonishing and moving portrayal.
Like most teenage girls, Minnie Goetze (Bel Powley) is longing for love, acceptance and a sense of purpose in the world. Her hard-party mother (Kristen Wag) and absent father (Christopher Meloni) have left her rudderless, and she's fallen in love with her mother's boyfriend, Monroe (Alexander Skarsgard). As she finds solace in his seductive smiles and her animation, she emerges defiant.
When artists D (Viv Albertine) and H (Liam Gillick) decide to sell the home that they have loved and lived in for two decades, they begin a difficult process of saying goodbye. The upheaval has caused anxieties to surface and D struggles to control the personal and creative aspects of her life with H. Dreams, memories and fears have all imprinted themselves on their home, a container for their lives and an axis of their marriage. How will their relationship - and their art - exist without its confines?
"A Simple Favor", directed by Paul Feig, centers around Stephanie (Anna Kendrick), a mommy vlogger who seeks to uncover the truth behind her best friend Emily's (Blake Lively) sudden disappearance from their small town. Stephanie is joined by Emily's husband Sean (Henry Golding) in this stylish thriller filled with twists and betrayals, secrets and revelations, love and loyalty, murder and revenge.
Taking place over five days in the nation's music capital Nashville, Tennessee, the film follows two-dozen characters struggling for fulfilment, both personal and professional, amongst a backdrop of country and gospel musicians, outsider political campaigning, and the peripheries of life inbetween, building from one encounter at a time to create a wide-ranging tapestry of rich drama and human comedy.
Sinan (Dogu Demirkol) returns from his studies in the city of Canakkale to his parents' home in the small rural town of Can. He hopes to publish a book of essays and short stories (or what he describes as a "quirky auto-fiction meta-novel"). But his teacher father Idris (Murat Cemcir) is an addictive gambler, so much so that his mother and sister have become reluctantly accustomed to making do without food or electricity. And so Sinan, with his writing dreams, worrying that we will be reduced after army service to teaching in the remote East, wanders around town, visiting his grandparents, encountering old friends, all the while looking for funding for his book.
Former tennis pro Tony Wendice (Ray Milland) hatches a cunning plot to get rid of his socialite wife, Margot (Grace Kelly), when he discovers that she has been having an affair with author Mark Halliday (Robert Cummings). Wendice blackmails a corrupt former schoolmate into murdering her, but the man bungles the job, and Margot, having killed her would-be assailant in self-defence, then finds herself under suspicion of premeditated murder...
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of 'Meru', comes 'Free Solo' a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world's most famous rock...the 3,200-foot El Capitan in Yosemite National Park...without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold's climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement. 'Free Solo' is an edge-of-your seat thriller and an inspiring portrait of an athlete who challenges both his body and his beliefs on a quest to triumph over the impossible, revealing the personal toll of excellence. The result is a triumph of the human spirit that represents what The New York Times calls "a miraculous opportunity for the rest of us to experience the human sublime".
From Golden Globe Nominee Director Paul Schrader, 'First Reformed' is a brooding, thriller-drama centred around Ernst Toller (Ethan Hawke), a troubled priest of a small, historical church in upstate New York, who starts to spiral out of control after a soul-shaking encounter with Mary (Amanda Seyfried) and her husband Michael, an unstable environmental activist. Consumed by thoughts that the world is in danger and motivated by the church's lack of action, Toller embarks on a perilous self-assigned undertaking with the hope that he may finally restore the faith and purpose he's been longing for in his mission to right the wrongs done to so many.
When her father jumps bail, 17 year-old Ree Dolly faces losing the home put up as his bond, where she lives with her invalid mother and younger siblings. With no choice but to track him down in the harsh environs of the Ozark mountains, she looks to his friends and relatives for clues, only to be met with threats and a hostile wall of silence. Undeterred, Ree risks her life to piece together the shocking truth.
'Grazing the Sky' takes a revealing look at the incredible physical exploits of circus acrobats and finds compelling stories of men and women confronting adversity - including the real risk of severe, debilitating injury. The price of life in the limelight includes years of study and practice, an iron discipline, an ongoing commitment to learning new skills, and constant travel far from home. Director Horacio Alcalá follows eight different acrobats from all over the world, intercutting interviews with artfully staged footage of his subjects performing breathtaking feats with poise and grace. Horacio Alcala, who has been involved with the circus arts for seven years, including with Cirque du Soleil, travelled to 11 different countries over the course of five years to capture these stories. He finds a new reality where aspiring circus performers can learn their craft in specialized schools rather than through family apprenticeships. The trapeze becomes a metaphor for life ambitions, given contrast and poignancy by the ever-present risk of a fall.
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