Awful
- Goodfellas review by ll
Just gratutitous violence. What plot there was was predictable- hoodlum is insulted so another body to bury. Music nothing to write home about. Beats me why this received so many awards
2 out of 10 members found this review helpful.
The Life? It Was Beautiful
- Goodfellas review by griggs
As far back as I can remember, I’ve always loved this movie. Not liked—loved. Watching it again, it still hits like a gunshot in a quiet room. The music, the rhythm, the voice in your ear telling you how it really worked—that was the magic. The long walk through the Copacabana’s kitchen? That wasn’t just showing off. That was status. That was power. That was everything.
Scorsese doesn’t film scenes—he moves through them, like he’s got a guy waiting outside. Every shot has heat, swagger, a little paranoia baked in. You feel you’re in on it, right up until the moment you’re not.
Ray Liotta’s performance is full of that wide-eyed ruse. The coke years still sweat off the screen. Pesci? A pitbull with a grudge. De Niro? Ice cold.
You know the story ends badly. You know the house of cards fail. But it never stops being seductive. That’s what makes it dangerous. And unforgettable.
2 out of 2 members found this review helpful.
After watching the Sopranos...
- Goodfellas review by MT
I’m supposed to write a review of Goodfellas? How about “Scorsese is a genius and this has great actors and music”? But you know that. After watching dozens of hours of the Sopranos what struck me when rewatching this was how concentrated the action is: that’s what you get when a story arc has to fit into two hours, but I kept expecting characters to sit around and do thinking. Instead we have the voiceover driving us along at a frantic pace. Just remember to keep stirring the sauce.
1 out of 3 members found this review helpful.
Mob rule
- Goodfellas review by NC
Appreciate the violence is a bit thorough throughout the film, but this was the group thing flowing along. Put Pesci Liotta Nero as the ones to beat for the genre............
0 out of 1 members found this review helpful.
Influential And Powerful Crime Drama
- Goodfellas review by GI
Arguably Martin Scorsese's best film and a landmark one setting a high standard as the 1990s began and completely reimagining the gangster film. Even the Godfather trilogy had an air of romanticism in it's depiction of the mafia possibly owing to the historical vision of the 40s and 50s but Goodfellas, mostly set in the 60s and 70s sets a scene of extreme violence with uncouth characters who covet only the power to do exactly what they want without constraint. They have no style, in fact they are simply materialistic with no idea that they indulge themselves with ugliness. This stretches to their marital relationships and homes and even to the loyalty of friendship they hold so dear and which in this film is utterly betrayed and exposed as false. Based on true events this is the story of Henry Hill (Ray Liotta). It's a fairly straight forward rise and fall story that follows Henry from a young man who is seduced by the life of crime when he joins the 'family' of Paulie (Paul Sorvino in a cold, frightening performance). His rise to loyal gangster with the help of two psychopaths, Jimmy (Robert De Niro) and Tommy (Joe Pesci in a defining and memorable role) and his marriage to Karen (Lorraine Bracco), an innocent who is also seduced by the gangster life but who has to accept the loss of her morals as a consequence. It's ultimately all about greed which overcomes all moral boundaries in these characters who achieve it through bloody murder. The violence is shocking, it's possibly Scorsese's most violent film and it gives the film an emotional power. Scores uses his camera in some eloquent ways to tell his story including a now famous tracking shot and bringing the background closer to simulate the closing in of the world against these criminals. There are no heroes here and you cannot root for anyone, not least Henry, who eventually succumbs to the ultimate humiliation to save his own skin. Scorsese has Henry break the fourth wall to talk direct to the viewer as he commits the final betrayal. This is a key film, a powerful one and if you've never seen this it will make you gasp on occasion but it's one of the best of American crime films of the past thirty years.
0 out of 0 members found this review helpful.
A blue collar, below stairs, mafia epic
- Goodfellas review by MS
With Scorsese's firm grip of both the foreground and background characters, the milieu, and a magnificent soundtrack to match the passing time, this works similarly to Mean Streets; luring you in to a world of mock power, high-times and self-regard. And like that movie the mob social scene is shown in rich in detail but with a greater emphasis on the hollowness of the bonhomie; in this world death, as we are told repeatedly, comes quickly and with a smiling face. Henry Hill foreshadows his own demise early on when he compares his own status with that of the guys who end up in jail and you sense, in that moment, that there will be only one winner when his invincibility meets the corroding effect of power and greed. Shot through with moments of visceral violence, we are left in no doubt how grubby the lowlifes of mob culture truly are. Its a blue collar, below stairs, mafia epic.
0 out of 0 members found this review helpful.