The Cocoanuts is peak early Marx Brothers—chaotic, clever, and constantly derailed by dreadful musical numbers. Groucho and Chico shine with rapid-fire nonsense, Harpo’s mischief lands and Dumont is her usual foil. But the songs? Absolutely grating. Worth a skim for the comedy, but skip the crooning.
Whereas Animal Crackers is a marked step up. The gags are sharper, the pacing tighter, and the musical numbers are entertaining. Songs like “Hooray for Captain Spaulding” are witty and plot-relevant, not just filler between farce. Groucho is in top form as the pompous explorer. At the same time, Chico and Harpo bring their usual blend of mischief and musicality. Margaret Dumont is once again the perfect comic foil. Zeppo, however, looks deeply uncomfortable—like he wandered onto the set by accident and stayed out of politeness. No wonder he swapped acting for business. He’s not bad, just severely out of place.
Horse Feathers finds the Marx Brothers enrolled in college, which is just an excuse for academic anarchy, bad puns, and a football game that obeys no rules known to man or sport. Groucho plays the newly appointed president of Huxley College with his usual disdain for logic, decency, and faculty meetings. Chico and Harpo crash the campus like two mischievous wrecking balls, and the whole thing moves at a pace faster than you can say, “Swordfish.” The plot’s threadbare, but the gags come thick and fast. Silly, surreal, and packed with one-liners—it’s a 2:2 degree in Marxist comedy.