griggs's - Roger Ebert's Great Movies List

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"Amadeus" triumphs as gripping human drama, sumptuous period epic, glorious celebration of the music of Wolfgang Amadeus Mozart. It's 1781 and Antonio Salieri (F. Murray Abraham) is the competent court composer to Emperor Joseph II.

When Mozart (Tom Hulce) arrives at court, Salieri is horrified to discover that the godlike musical gifts he desires for himself have been bestowed on a bawdy, impish jokester. Mad with envy, he plots to destroy Mozart by any means. Perhaps, even murder.

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A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form.

'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.

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Alvy Singer (Woody Allen), is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work.

Introduced by his best friend, Rob (Tony Roberts), to the ditzy but delightful nightclub singer, Annie Hall (Diane Keaton), no sooner is Alvy in love, when his own insecurities sabotage the affair, forcing Annie to leave Alvy for a new life - and lover (Paul Simon) - in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengths - even driving L.A.'s freeways - to recapture the only thing that ever mattered...true love.

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C.C. "Bud" Baxter (Jack Lemmon) knows the way to success in business...it's through the door of his apartment! By providing a perfect hideaway for philandering bosses, the ambitious young employee reaps a series of underserved promotions. But when Bud lends the key to big boss J.D.

Sheldrake (Fred MacMurray), he not only advances his career, but his own love life as well. For Sheldrake's mistress is the lovely Fran Kubelik (Shirley MacLaine), elevator girl and angel of Bud's dreams. Convinced that he is the only man for Fran, Bud must make the most important executive decision of his career: lose the girl... or his job.

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Francis Ford Coppola's stunning vision of man's heart of darkness revealed through the madness of the Vietnam War. Captain Willard (Martin Sheen) receives orders to seek out a renegade military outpost led by the mysterious Colonel Kurtz (Marlon Brando).

Willard's mission: "Terminate with extreme prejudice".

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'Pather Panchali' tells the story of a family living in the grip of poverty in a small Bengali village, focusing on the experiences of a young boy, Apu (Subir Banerjee), and paying careful attention to a series of ordinary events: Apu's father sets off to the city in search of work, leaving his

wife to take care of the children and an elderly aunt; a frugal meal is prepared; rains flatten the landscape; a train passes by; someone dies.

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'Aparajito' sees Apu (Smaran Ghosal / Pinaki Sengupta) move with his family to the busy city of Benares, where they hope to build a new life after suffering a devastating family tragedy.

But when Apu's father then dies, the young man decides to head out on his own and attend college in Calcutta, leading to a growing estrangement between himself and his widowed mother.

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'Apur Sansar', the adult Apu (Soumitra Chatterjee) hopes to become a writer, but his lack of finances force him to abandon his university studies. He meets an old friend Pulu (Swapan Mukherjee) and together they travel to the wedding of Pulu's cousin, Aparna (Sharmila Tagore).

When the bridegroom turns out to be insane and the wedding is cancelled, Apu agrees to marry Aparna to save her from ridicule. They return to his Calcutta apartment to start a new life and Apu comes to love his wife, but his happiness is soon shattered by a tragic turn of events.

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Melville's most personal film, rooted in his wartime experiences in the French Resistance, Army Of Shadows is a hard, tense drama, depicting man's capacity for both bravery and evil. In the winter of 1942-1943, as France exist s under German occupation, an underground cell operates in the shadows.

In the clandestine world of the Resistance, the freedom fighters work against their enemies under the constant risk of betrayal, ordinary men and women in an extraordinary situation. Suffused throughout with a mood of foreboding, the suspense, heightened with directorial mastery, reaches its peak as the Resistance attempt to free a prisoner from the Gestapo headquarters, in one of Melville's trademark set-pieces of iconic action.

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On the Boardwalk of Dreams, everyone has a fantasy. Once the Queen of Resorts, Atlantic City has become the seedy Queen of Rackets. And with the legalisation of gambling, small-time gangsters like Lou (Burt Lancaster) are the losers; running numbers for the Mob can no longer offer a livelihood.

But aging Lou's life changes abruptly when he becomes involved with Dave (Robert Joy), a young dope dealer, and his estranged wife, the beautiful and ambitious Sally (Susan Sarandon). Working at the Casino oyster bar whilst taking a rigorous course in blackjack dealing, she dreams of a glamorous new life in the casinos of Monte Carlo. When Dave is killed, Lou and Sally find themselves thrown together in a real-life escapade involving love, money, dope and danger.

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A profound masterpiece from one of the most revered filmmakers in the history of cinema, Robert Bresson's 'Au Hasard Balthazar' follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding.

Balthazar, whose life parallels that of his first keeper, Marie (Anne Wiazemsky), is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly. Through Bresson's unconventional approach to composition, sound, and narrative, this simple story becomes a moving parable about purity and transcendence.

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With a career spanning over thirty years, Louis Malle was one of the giants of French cinema.

After he burst onto the scene as one of the pioneers of the French New Wave with Lift To The Scaffold, Malle quickly achieved a reputation as a great director who was unafraid to embrace a wide array of subjects - many famously controversial. Working both in Hollywood and his native France, Malle imprinted his films with subtlety, intelligence and a sharp eye for the mores of human behaviour that set him apart from his contemporaries. This collection brings together classics from Malle's later career. Au Revoir Les Enfants, earning Malle a BAFTA for Best Director, and Lucien Lacombe are two very different tales about troubled youth set during the Second World War. Milou en Mai is a chamber comedy set against the backdrop of the 1968 Parisian uprisings and Le Souffle Au Coeur a taboo-breaking coming-of-age satire. Together with the dreamlike Black Moon, these films are proof that age did not dim Malle's humanism or commitment to experimentation.

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Yasujiro Ozu's elegiac final film, 'An Autumn Afternoon', charts the inevitable eclipse of older generations by irreverent youth. Revisiting the story of his earlier masterpiece Late Spring (1949), Ozu once again casts Chishu Ryu in the role of Hirayama, the concerned father to unmarried Michiko.

Harangued on all sides to marry off Michiko, Hirayama reluctantly prepares to bid his old life farewell. A cast of tragi-comic characters weaves seamlessly through this gently satirical portrayal of life's inevitable, endless cycle.

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Pain is universal ... but so is hope. From acclaimed Director Alejandro Gonzalez Inarritu comes the third film in his trilogy, Babel, a critically celebrated and emotionally gripping film about the barriers that separate humankind.

A tragic accident in Morocco sets off a chain of events that will link four groups of people who, divided by cultural differences and vast distances, will discover a shared destiny that ultimately connects them. Brad Pitt, Cate Blanchett and Gael Garcia Bernal lead an outstanding international ensemble cast in this breakthrough film.

In 1959, Kit (Martin Sheen) who has killed several people, and his new girlfriend Holly (Sissy Spacek), who watched him do it, are adrift in a double fantasy of crime and punishment across South Dakota and Montana. They're playing make-believe but the bullets and bloodshed are very real...