A coming of age comedy in 1970's Australia: A 200 ton blue whale washes up on a local beach and the kids think its the biggest thing that's ever happened in their lives. Behind closed doors, the mums and dads of this quiet suburban cul-de-sac celebrate in their own special way, by joining the sexual revolution. It's a time of boxed wine, bad hair styles, bad choices, but good times. And like the rotting whale. it's all about to go spectacularly wrong.
Seen through the eyes of a squad of American soldiers, the story begins with World War II's historic D-Day invasion, then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan, whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war, each man searches for his own answer - and the strength to triumph over an uncertain future with honour, decency and courage.
When sadistic young thugs senselessly attack John Wick, a brilliantly lethal ex-assassin, they have no idea that they've just awakened the boogeyman. With New York City as his bullet-riddled playground, Wick embarks on a merciless rampage, hunting down his adversaries with the skill and ruthlessness that made him an underworld legend.
A Beautiful Mind stars Russell Crowe in an astonishing performance as brilliant mathematician John Nash, on the brink of international acclaim when he becomes entangled in a mysterious conspiracy. Now only his devoted wife can help him in this powerful story courage, passion and triumph.
Eastwood stars as Earl Stone, a man in his 80's who is broke, alone and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. And even as his money problems become a thing of the past, Earl's past mistakes start to weigh heavily on him, and it's uncertain if he'll have time to right those wrongs before law enforcement or the cartel's enforcers catch up to him.
Orson Welles makes his feature-length directorial debut with this classic drama which often tops critics' polls of the best films of all time. In 1940, newspaper tycoon Charles Foster Kane (Welles) dies after uttering the word 'Rosebud'. An anonymous reporter (William Alland) is assigned the task of uncovering the meaning of Kane's dying word, and in the course of his enquiries he receives varying accounts of his life from former colleagues Jedediah Leland (Joseph Cotten) and Bernstein (Everett Sloan), and ex-wife Susan Alexander (Dorothy Comingore). The film, which Welles also produced and co-wrote, was not-so-loosely based on the life of newspaper magnate William Randolph Hearst.
By a little bay near Marseilles lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days: Angela (Ariane Ascaride), an actress living in Paris, Joseph (Jean-Pierre Darroussin), who has just fallen in love with a girl half his age and Armand (Gérard Meylan), the only one who stayed behind in the bay to run the family's small restaurant. It's time for them to weigh up what they have inherited of their father's ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.
Melissa McCarthy is masterful in the captivating account - based on a true story - of a down-and-out writer who resorts to lies, deceit and outright crime to get back on top.
When veteran LAPD detective Erin Bell (Nicole Kidman) receives an ink-marked bill in the office mail, she is forced to confront her past, and her connection to murderer and gang leader Silas (Toby Kebbell). Still haunted by an undercover FBI sting gone horribly wrong, Bell is flooded with painful memories of her old partner Chris (Sebastian Stan) and becomes hell bent on closing the case, whatever it takes.
Katja's (Diane Kruger), life is torn apart when her husband and young son are suddenly killed in a bomb attack. A police investigation point to a pair of young neo-Nazis as the key suspects, but a lack of evidence fails to fully incriminate them, Katja is forced to take matters into her own hands and her hunt for justice begins to take increasingly dangerous and unexpected turns.
François (Karim Leklou) is a petty drug dealer whose dream is to settle down and set up a Mr. Freeze's ice lolly franchise in Morocco. But his ambition is smashed to pieces when he discovers that his own mother (Isabelle Adjani), a compulsive gambler and seasoned scammer, has burnt his savings that he was relying on to start their brand-new life. Putin, the local gang leader, offers François to do one last job in Spain so that he can make some money he desperately needs. Things go from bad to worse when the deal goes wrong and everyone around him gets involved: his disillusioned love Lamya (Oulaya Amamra), his stupid former father-in-law who just got out of prison, two inseparable and uncontrollable wannabe gangsters and last but not least...his glamorous and manipulative mother.
"Stan and Ollie" tells the untold story of the world's greatest comedy act - Laurel and Hardy - with exceptional performances from Steve Coogan and John C. Reilly. In the twilight of their careers and facing an uncertain future, Laurel and Hardy set out on a tour of Great Britain and Ireland. After an inauspicious beginning their friendship and performances shine through, making each other and their audiences laugh whilst winning the love and affection of legions of adoring fans.
When Tony Lip (Viggo Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on "The Green Book" to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger as well as unexpected humanity and humor - they are forced to set aside differences to survive and thrive on the journey of a lifetime.
Gaspar Noe, director of the hugely controversial 'Irreversible', 'Enter the Void' and 'Love', makes a triumphant return with 'Climax' - a visually dazzling feast of music and mayhem, and perhaps his most critically acclaimed work to date. Following a successful rehearsal, a dance troupe set about celebrating with a party. But when it becomes apparent that someone has spiked the sangria, the joyous atmosphere soon transforms into a nightmarish hellscape of violence and twisted carnality as the dancers begin to turn on each other in an orgiastic frenzy. Inspired equally by the worlds of modern dance and esoteric arthouse-horror (chief among them, Dario Argento's Suspiria and Andrzej Zutawski's Possession), 'Climax' - which pulses towards its astonishing conclusion with a thumping score by the likes of Daft Punk, Aphex Twin and Gary Numan - illustrates a director at the height of his hallucinatory filmmaking powers.
Suburban mother Tara's (Gemma Arterton) life is outwardly perfect. But she's deeply unhappy and unfulfilled in her life of routine with her husband Mark (Dominic Cooper) and their children. These feelings become so overwhelming, she embarks on a journey of self-discovery. Through a series of risky and incendiary encounters, she discovers the woman she really is and the life she really wants.
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