A woman from Scotland, while traveling in Colombia, begins to notice strange sounds. Jessica Holland, who, after hearing a loud 'bang' at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. She experiences auditory hallucinations and tries to find the sources of the sounds causing her insomnia. Soon, she begins to confront the unsettling sights and sounds that call her identity into question.
From Paul Thomas Anderson and Thomas Pynchon, it's the tail end of the psychedelic '60s and paranoia is running the day from the desert to the sea of sunny Southern California. With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, the FBI, LAPD detectives, a tenor sax player working undercover, a group of Beverly Hills dentists and a mysterious entity called The Golden Fang, everything's gone from "groovy" to "where you at, man?" in what seems like a matter of moments. So when private eye Doc Sportello's ex-old lady Shasta Fay shows up at his door with a story about her current billionaire land-developer boyfriend and his wife and her boyfriend...well it all starts to get a little peculiar after that. Maybe you'll just want to see the movie?
Robert (Daniel Zolghadri) believes that to be an artist is to suffer. So, he gives up on his affluent Princeton upbringing and drops out of high school in favour of life in a stuffy New Jersey apartment to really commit himself to his art. Robert sustains his new lifestyle by working part-time at the comic store, and part-time at the office of a public defender. It is there he first meets Wallace (Matthew Maher), who, Robert finds out, once worked as a colour separator for the legendary Image Comics. Ignoring Wallace's borderline-deranged personality, Robert becomes besotted, leading him down a chaotic path of misadventures.
Emerging from the primordial soup of glamour, gutter sleaze, and feverish creativity that was New York's 1960s underground culture, the Velvet Underground redefined music with its at once raw and exalted blend of experimentation and art-damaged rock and roll. In his kaleidoscopic documentary 'The Velvet Underground', Todd Haynes vividly evokes the band's incandescent world: the creative origins of the twin visionaries Lou Reed and John Cale, Andy Warhol's fabled Factory, and the explosive tension between pop and the avant-garde that propelled the group and ultimately consumed it. Never-before-seen performances, interviews, rare recordings, and mind-blowing transmissions from the era's experimental cinema scene come together in an ecstatic swirl of sound and image that is to the traditional music documentary what the Velvets were to rock: utterly revolutionary.
Acclaimed filmmaker Joachim Trier returns with 'The Worst Person in the World', a wistful and subversive romantic drama about the quest for love and meaning. Set in contemporary Oslo, it features a star-making lead performance from Renate Reinsve as a young woman who, on the verge of turning thirty, navigates multiple love affairs, existential uncertainty and career dissatisfaction as she slowly starts deciding what she wants to do, who she wants to be, and ultimately who she wants to become. As much a formally playful character study as it is a poignant and perceptive observation of quarter-life angst, this life-affirming coming of age story...
From visionary director Robert Eggers comes 'The Northman', an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder.
In 1961, Kempton Bunton (Jim Broadbent), a 60 year old taxi driver, stole Goya's portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery's history. Kempton sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly - he had long campaigned for pensioners to receive free television. What happened next became the stuff of legend. Only 50 years later did the full story emerge - Kempton had spun a web of lies. The only truth was that he was a good man, determined to change the world and save his marriage - how and why he used the Duke to achieve that is a wonderfully uplifting tale.
Lady Constance Chatterley (Holliday Grainger) enjoys a happy marriage to the dashing aristocrat Sir Clifford Chatterley (James Norton), until he is severely wounded serving in the First World War. Confined to a wheelchair and impotent, Clifford becomes more distant, and Constance finds comfort in the company of the estate's brooding, lonely gamekeeper, Oliver Mellors (Richard Madden). In the England of the 1920s, the social divide between the upper class and their servants was unbreakable: an affair between a lady and a working man would scandalise society and ostracise them both. Lady Chatterley must choose between propriety and love, while Mellors risks his safety, as they both strive to evade the growing suspicions of her jealous and vengeful husband.
This epic drama explores the life and music of Elvis Presley as seen through the prism of Presley's complicated relationship with his enigmatic manager, Colonel Tom Parker.
An audacious, genre-defying mix of horror and folklore, 'Lamb' is the debut feature from Icelandic writer-director Valdimar Johannsson. A couple on a remote sheep farm find a mysterious newborn and decide to raise it as their own, but soon face the consequences of defying the will of nature.
The much anticipated cinematic return of 'Downton Abbey' follows the Crawleys and their staff as they welcome a movie crew and their glamorous stars to Downton for the filming of a new silent movie, while other members of the family go on a grand adventure to a villa in the south of France to uncover a mystery about the Dowager Countess and her past. With a screenplay by Julian Fellowes and starring the original cast alongside exciting new additions, 'Downton Abbey: A New Era' is packed full of exuberant moments, excitement and humour, tears of joy and sadness and new beginnings for all your favourite characters.
The sequel to one of the most beloved British family films of all time, 'The Railway Children Return' is an enchanting, moving and heart-warming adventure for a new generation.
1944 - As life in Britain's cities becomes increasingly perilous, the Watt children: Lily, Pattie and Ted are evacuated to the Yorkshire village of Oakworth. There they are met by Bobbie Waterbury (Jenny Agutter, reprising her iconic role in the original film), her daughter, Annie (Sheridan Smith), and grandson Thomas who help them settle into their new life in the countryside.
When the children discover injured American soldier Abe, they are thrust into a dangerous quest to assist their new friend who, like them, is a long way from home.
Award-winning director Kelly Reichardt (Meek's Cutoff, Wendy and Lucy) returns with the eagerly awaited 'First Cow', a gripping and glorious story of friendship, petty crime and the pursuit of the American dream on the harsh frontier of the Pacific Northwest. In 1820's Oregon, two loners team up to seek their fortune through a scheme to steal milk from the wealthy landowner's prized Jersey cow - the first, and only, in the territory. A true masterpiece from one of the great modern American filmmakers.
Set in the French capital's 13th arrondissement, where a predominantly East Asian community resides, Audiard's passionate romance charts the interwoven relationships between four twenty-somethings, played by Lucie Zhang, Makita Samba, Jehnny Beth and Noemie Merlant. 'Paris, 13th District' is a modern story of love and life, reflecting the shifting attitudes towards identity and fidelity.
Zola (newcomer Taylour Paige), a Detroit waitress, strikes up a new friendship with a customer, Stefani (Riley Keough), who seduces her to join a weekend partying in Florida. What at first seems like a glamorous trip full of "hoeism" rapidly transforms into a 48-hour journey involving a nameless pimp, an idiot boyfriend, some shady guys in Tampa, and other unexpected adventures in this wild, see-it-to-believe-it tale.
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