A mysterious list of names is found in the shoe of a dead woman. Antiques dealer Mark Easterbrook (Rufus Sewell) is determined to find out why his name is on the list. His investigations lead him to three spinsters living at The Pale Horse in the village of Much Deeping. As more deaths occur, Mark finds himself thinking the unthinkable. Could this all be the work of witchcraft, and is he himself cursed? Paranoia eats at Mark. Who wants him dead, and how can he save himself from the curse?
Determined to fulfil her late mother's dream of opening a bakery in charming Notting Hill, 19-year-old Clarissa (Shannon Tarbet) enlists the help of her mother's best friend Isabella (Shelley Conn) and her eccentric estranged grandmother Mimi (Celia Imrie). Three generations of women will need to overcome grief, doubts and differences to honour the memory of their beloved Sarah (Candice Brown) while embarking on a journey to establish a London bakery filled with love, hope and colourful pastries from all over the world.
In 1970, the Miss World competition took place in London, hosted by US comedy legend, Bob Hope (Greg Kinnear). At the time, Miss World was the most-watched TV show on the planet with over 100 million viewers. Claiming that beauty competitions demeaned women, the newly formed Women's Liberation Movement achieved overnight fame by invading the stage and disrupting the live broadcast of the competition. Not only that, when the show resumed, the result caused uproar: the winner was not the Swedish favourite but Miss Grenada, the first black woman to be crowned Miss World. In a matter of hours, a global audience had witnessed the patriarchy driven from the stage and the Western ideal of beauty turned on its head.
Tolkien explores the formative years of renowned author J.R.R. Tolkien (Nicholas Hoult) as he finds friendship, courage and motivation among a group of fellow outcasts at school. Their bond strengthens as they mature, until the outbreak of World War I, which threatens to tear the fellowship apart. Tolkien's early life experiences would later inspire him to write his famous Middle-earth novels.
Adapted from Mary Jane Ward's autobiographical novel, Anatole Litvak's 'The Snake Pit' is a vital precursor to Samuel Fuller's Shock Corridor in its concern with issues relating to mental illness. An Oscar nominated Olivia de Havilland stars as Virginia, an outwardly normal woman whose marriage to a caring husband (Mark Stevens) unravels when her behaviour becomes erratic. On professional advice Virginia is committed to an overcrowded state hospital where she encounters the bullying antics of the resentful matrons and the threat of the fearsome snake pit, an open room where the most deranged cases are held.
Writer-director Greta Gerwig (Lady Bird) has crafted a 'Little Women' that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author's alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig's take, the beloved story of the March sisters - four young women each determined to live life on their own terms - is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, with Timothee Chalamet as their neighbour Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March.
The film paints the relationship between L.S. Lowry (Timothy Spall), one of Britain's most iconic artists, and his mother Elizabeth (Vanessa Redgrave), with whom he lived until her death. We see Lowry in the beginnings of his career, as he yearns for his work to be appreciated in London. However, his disdainful mother actively tries to dissuade her bachelor son from pursuing his artistic ambitions. At the same time, the film explores how Elizabeth is the very reason Lowry paints anything at all, as he desperately seeks to create something, anything, which will make her happy. This powerful yet humorous story imagines the impact this obsessive mother and son relationship had on the great artist.
Formed in 1970, Kraftwerk's contribution to the development of electronic music remains unsurpassed. Having inspired everyone from Bowie to Joy Division to Radiohead, this mysterious collective has also proven responsible for entire genres to emerge - electronica, techno and synth-pop to name but three. This video reviews the career and music of Kraftwerk, from their inception in the late 1960's through their most celebrated period in the mid-1970's, culminating with their resurgence during the 1980's. The film further explores how Kraftwerk both fitted into and pulled away from the electronic wing of what is often lazily referred to as 'Krautrock'. Showing respect too for many of the groups German contemporaries from a similar impulse, and tracing the unfolding of electronics in German contemporary music generally, this programme presents a fascinating story previously untold on film. Featuring exclusive and extensive interviews with ex-Kraftwerk members - Karl Bartos and Klaus Röder, German ambient and electronic musicians - Dieter Moebius, Hans Joachim Rodelius, Klaus Schulze, Wolfgang Siedel, Conrad Schnitzler, Klaus Löhmer and many others. Also boasting further contributions from Electronic music experts and writers, and rare studio and live footage of the band, these all together make for perhaps the best film on the subject ever to emerge.
Struggling street food vendor Sentaro finds himself confronted with Tokue, an odd but sympathetic elderly lady looking for work. When he reluctantly accepts, it's not long before Tokue proves to have an extraordinary gift when it comes to making "an" - the sweet red bean paste filling used in his dorayakis - which starts a relationship that is about much more than just street food. With 'Sweet Bean', Kawase again focuses on people at the periphery of Japanese society and investigates their place in the flow of life itself.
In Ronald Neame's film of Joyce Cary's classic novel, Alec Guinness transforms himself into one of cinema's most indelible comic figures: the somewhat vulgar but dedicated painter in search of his artistic vision, Gulley Jimson. As the ill-behaved Jimson searches for a perfect canvas, he determines to let nothing come between himself and the realization of his exalted ideal. Jimson is a man, who's given up all else, including health, wealth and conventional relationships to live in a leaky houseboat. As the story develops it, like all great literature, manages to puncture almost all of life's rationalizing balloons.
Franz Biberkopf (Günter Lamprecht) is an unforgettable man: his tender, good -natured side contradicted by moments of shocking violence. Released from prison following a four year sentence for the manslaughter of his girlfriend, he plans to make a new start and a decent life for himself. But a chaotic, decadent Berlin of the 20's is not theasiest place for an ex-con to go straight and work is hard to come by. When Franz becomes fascinated by Reinhold (Gottfried John), a psychotic small-time crook, he is soon drawn back into a world he cannot escape.
Director Bill Forsyth (That Sinking Feeling, Gregory's Girl, Local Hero, Comfort and Joy) made his American film debut with this moving and offbeat adaptation of Marilynne Robinson's acclaimed novel, about two young girls who are sent to live with their eccentric aunt (Christine Lahti) after the suicide of their mother.
Martin Durnley (Hywel Bennett), who has a childish alter ego "Georgie", lives with his mother Enid (Phyllis Calvert) and his nouveau riche stepfather (Frank Finlay) whom he resents intensely. Enid dotes on Martin, largely because her first son Pete is a "mongol", and she is afraid that Martin may inherit a similar affliction. One day whilst shopping martin encounters Susan Harper (Hayley Mills), an attractive student currently working as a librarian. When he is caught shoplifting a toy duck baby-faced Martin adopts the guise fo retarded Georgie, consequently Susan takes pity on him and offers to pay for the item rather than create a fuss. This moment of kindness captures Martin’s interest, sowing the seeds of a deadly obsession.
What in Hell is going on at Headstone Manor? In this hilarious spoof of every horror fan's favourite films, a team of mad scientists, led by Dr. Lukas Mandeville (Kenny Everett) and his assistant Dr. Barbara Coyle (Pamela Stephenson) are investigating paranormal phenomenon in the mysterious manor. Unknown to the scientists, their presence is about to incur the wrath of a local coven of bumbling but determined Satanists led by a 700-year-old disciple of the Devil known only as the Sinister Man (Vincent Price), all of whom are prepared to stop at nothing in purging the house of the unwelcome intruders.
An isolated lodge somewhere in England. Five old university pals, now nudging 40, gather for a weekend to scatter the ashes of their friend, Jonesy (Adam Straughan), who drowned himself in the lake three years earlier. They settle in for a fun evening, entertaining each other with stories of murders, ghosts, zombies and possessions, but as day turns to night, the gang become aware of another horror story unfolding around them - and this one is real.
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