Rent Fear Eats the Soul (1974)

4.0 of 5 from 119 ratings
1h 29min
Rent Fear Eats the Soul (aka Angst Essen Seele Auf) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
Emmi (Brigitte Mira), a widowed cleaning lady in her sixties, meets Ali (El Hedi ben Salem), a Moroccan immigrant in his thirties. Seeking companionship, the pair marry to the outrage Emmi's family (including Fassbinder himself as her aggressive son-in-law), herfriends and her colleagues.
Actors:
, , , , , , , , , Katharina Herberg, , , , , , , , , , Helga Ballhaus
Directors:
Voiced By:
Wolfgang Hess
Writers:
Rainer Werner Fassbinder
Aka:
Angst Essen Seele Auf
Studio:
Arrow Films
Genres:
Classics, Drama, Romance
Countries:
Germany, Classics, Drama, Romance
BBFC:
Release Date:
05/06/2006
Run Time:
89 minutes
Languages:
German
Subtitles:
English
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
Colour
Bonus:
  • Fassbinder in Hollywood
  • Life stories: R.W. Fassbinder in conversation with Peter W. Jansen
  • The city tramp (short film)
  • Todd Haynes interview on Fear eats the soul
  • Theatrical trailer
  • Notes by Julian Savage
BBFC:
Release Date:
28/03/2016
Run Time:
94 minutes
Languages:
German
Subtitles:
English
Formats:
Pal
Aspect Ratio:
Full Screen 1.37:1
Colour:
Colour
BLU-RAY Regions:
B
Bonus:
  • Audio commentary by critic and lecturer Mark Freeman
  • My Name is Not Ali, Viola Shafik's 2011 feature-length documentary on the life and death of El Hedi ben Salem, star of Fear Eats the Soul
  • Newly-filmed interviews with director of photography Jurgen Jurges
  • Theatrical Trailer

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Reviews (1) of Fear Eats the Soul

Compelling human drama - spoilers follow ... - Fear Eats the Soul review by NP

Spoiler Alert
21/09/2019

This is only the second film I’ve seen by acclaimed director Rainer Werner Fassbinder, and on the strength of this and ‘Why Does Herr R. Run Amok?’ I intend to watch all projects completed in his short but prolific career.

I tend to go into these things spoiler-free, so expected this to be some kind of horror story, given the title. And it is very much so, but not in the way I imagined. It’s impossible to discuss without spoilers, so beware!

We’re concerned with elderly Emmi (Brigitte Mira), cleaner and widow, who enters a bar alone one night. Vulnerable and ostracised, only Ali (El Hedi Ben Salem) is friendly towards her and asks her to dance. The awkward exchange turns into unlikely romance which, for a slow-burning film, escalates quickly, and the shock Emmi’s family express when she announces she is marrying a Morrocan man twenty years her junior would be understandable – if they weren’t such a gang of self-serving grotesques. Emmi’s daughter Krista (Irm Hermann) is first seen in a domestic situation where she is ritualistically taunted by her objectionable husband, played by Fassbinder himself. Krista’s subsequent behaviour, however, proves that she is just as disagreeable as he is. And this is the premise for the film. Everyone is flawed, often in deeply prejudicial and unkind ways.

Apparently Mira found herself somewhat spurned whilst making the film, and while she rose above it, this possibly feeds into the vulnerability of her performance. A lesser director would be satisfied with the story-line as outlined above, but not Fassbinder. As the hostility eventually gets to Emmi – she and Ali are really treated appallingly – they go on holiday together, hoping the dust might have settled on their return. And when they get back, her ‘friends’ and local shopkeeper have clearly decided to treat the couple better, but only because of what they gain from the friendship, rather than displaying genuine decency.

So glad to be once again accepted, even Emmi shows signs of their unkindness – tellingly toward a new member of their cleaning team. This new member is on less pay than the rest of them and is shunned because of this, left to eat her dinner alone, while the others gather and gossip about her. Emmi’s attitude to her husband changes too – she treats him like a trophy, an object, in front of her friends. When he leaves her, she tells them it is due to his ‘foreigner mentality’. In turn, when Emmi comes to visit him at his workplace and entreats him to return home, he ignores her as his co-workers describe her as his ‘Morrocan granny’.

This is an excellent film, often cited as Fassbinder’s greatest work. As director, producer and writer, he almost tends to simply point the camera at his cast and wonderfully utilised downbeat surroundings, and let the story tell itself. This it does beautifully and deceptively simply. Could I describe Fassbinder as a kind of West German Mike Leigh? That’s how he appears to me.

Incidentally, a Wikipedia search reveals that for Fassbinder and his star Salem, real life was possibly more eventful than their fictional works. My score for ‘Ali: Fear Eats the Soul’ is 8 out of 10.

0 out of 0 members found this review helpful.

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