Toyko Story is one of the most critically acclaimed films. In a 2012 poll of film directors conducted by Sight & Sound it was voted the best film of all time. I find it difficult to understand such high opinions of the movie. I quite like this essay-type film which explores its subject matter with clarity, focus and a thoughtful, inquiring approach. Ostensibly the central theme of the piece is of grown-up children having little time for their parents. In the increasingly urban and westernised Japan of the 1950s, the siblings in this film have moved to Toyko and a metropolitan life that contrasts quite sharply with the traditional Japanese culture of their parents.
The brief review accompanying the copy I watched called the film a 'finely nuanced' drama but I see it very differently. The difficulties between the elderly parents and their grown-up children are repeatedly foregrounded and emphasised. It's not a slight thing glimpsed in gestures and tone of phrase but the basic narrative focus of the script. Similarly, the characters come across as quite plain and one-dimensional. There is acting here but it is of the Brechtian kind, as you might expect of a film-as-essay where ideas and arguments are being methodically explored by the drama. Other admirers of Toyko Story comment on the objective approach that the direction and camera takes - steady and unobtrusive, aspiring to a cinema of non-attachment in the Buddhist sense. I wonder if the polite and formulaic Japanese customs, manners and tatami mat gatherings often portrayed by the drama may amplify this idea of a similarly detached film-making approach.
Toyko Story seemed over-long but it does come alive in the final third of the movie. In scenes towards the end some of the characters uncover a depth and passion hitherto unseen. At the end, Toyko Story comes across as a film concerned with deep existential matters along with the cultural debates it either hints at (the Westernisation of Japanese culture) or boldly covers throughout (the difference between generations). It is a film that asks questions without providing shallow answers or polemics. I am a viewer who enjoys slow, thoughtful films and can rate black-and-white classics too but ultimately Toyko Story took too long for me to come alive and generate interest.
A timeless film, which depicts real life in any society. The moral being, as said in the film twice, one cannot look after one's parents after they are dead.
This masterpiece of storytelling places viewers inside the room through Ozu’s unique static camera angles, creating a deeply personal viewing experience. Central to the film's emotional resonance is Chishu Ryu, whose portrayal of the father exudes a warm, gentle presence that irresistibly draws smiles.