Meiko Kaji barely speaks, yet her stillness is more unsettling than all the shouting around her. One glare from Scorpion could curdle the prison tea.
Shunya Ito spends his debut doing time in two genres: women-in-prison exploitation and an art film having a particularly lurid breakdown. Nudity and sadism rub shoulders with theatrical sets, wild colour filters and camera angles that appear to have escaped custody. One flashback unfolds across shifting stage scenery, bringing the story to a halt for some shameless visual showing off. Fair enough—it earns the interruption.
The guards and male authorities are such spectacular wrong'uns that their cruelty eventually becomes savage satire. Even the endless digging punishment receives more care than many films manage for their climax.
I found the middle padded, with a basic revenge story serving a longer sentence than necessary. Exploitation and artistry remain uneasy cellmates, forever rattling each other's bars.
I just wanted to implore anybody vaguely interested in renting 'FEMALE PRISONER #701: SCORPION' to please do so because you'll be guaranteeing yourself a truly unforgettable experience.
Don't dismiss this stunning achievement as yet another mere sexploitation, women-in-prison yarn because this flick contains more cinematic invention and jaw-dropping visual gymnastics than anything else I've witnessed in the genre.
Go on, give it a whirl and you won't be disappointed.