Lightweight gothic horror-comedy which is most of interest to golden age aficionados because it is a sound remake of the lost Lon Chaney silent, London After Midnight (1927), also directed by Tod Browning. It’s among a handful of decent scare pictures made by MGM in the mid-30s.
Though its production values reflect those of Universal studios, with the foggy graveyards and rudimentary effects. There’s a proper star in Lionel Barrymore as a vampire hunter investigating the supernatural possession of a rural estate in middle Europe. Bela Lugosi reprises his performance from Dracula (1931).
Except, there’s a twist, which isn’t inspired and negates everything that happened before. And it means the film only really works once. In fact, a second viewing makes no sense at all. Still, it’s good ‘30s horror escapism with a fun cast…
Carol Borland is a standout a kind of proto-goth. Lugosi camps it up as the undead and Lionel Atwill plays it straight as a bristling policeman. It’s a loose spoof of Browning’s Dracula and while no masterpiece, its curiosity value makes it a must-see for studio era horror fans. But only once.