In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie (Honor Swinton Byrne) begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg's shimmering story of first love and a young woman's formative years, 'The Souvenir: Part II' is a portrait of the artist that transcends the halting particulars of everyday life - a singular, alchemic mix of memoir and fantasy.
What do the most ravishingly beautiful actress of the 1930's and 40's and the inventor whose concepts were the basis of cell phone and bluetooth technology have in common? They are both Hedy Lamarr, the glamour icon whose ravishing visage was the inspiration for 'Snow White' and 'Catwoman' and a technological trailblazer who perfected a radio system to throw Nazi torpedoes off course during WWII. Weaving interviews and clips with never-before-heard audio tapes of Hedy speaking on the record about her incredible life - from her beginnings as an Austrian-Jewish emigre to her scandalous nude scene in the 1933 film 'Ecstasy' to her glittering Hollywood life to her ground-breaking, but completely uncredited inventions - 'Bombshell: The Hedy Lamarr Story' brings to light the story of an unusual and accomplished woman, spurned as too beautiful to be smart, but a role model to this day.
"Wonder Wheel" tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950's: Ginny (Kate Winslet), a melancholy, emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny's rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty's long-estranged daughter, who is now hiding out from gangsters at her father's apartment. Poetically photographed by Vittorio Storaro, 'Wonder Wheel' is a powerful dramatic tale of passion, violence, and betrayal that plays out against the picturesque tableau of 1950's Coney Island.
Fourteen-year-old Joe (Ed Oxenbould) is the only child of Jeanette (Carey Mulligan) and Jerry (Jake Gyllenhaal) - a housewife and a golf pro - living a seemingly idyllic life in 1960's Montana. His family's carefully constructed façade is about to come crashing spectacularly down, however, when Jerry loses his job - and his sense of purpose. In an attempt to restore his pride, Jerry takes off for the summer to help fight the wildfires raging near the Canadian border, a life-threatening job, for very little pay. An angry and bereft Jeanette must quickly learn to fend for herself, and does so with gusty, challenging cultural expectations and taking a quietly bewildered Joe along for the ride.
London, 1953. Mr. Williams, played by Bill Nighy, is a veteran civil servant, a cog in the city's stifling bureaucracy as it struggles to rebuild following WWII. After a shattering health diagnosis, it dawns on him he has not been living his life to the full. Amidst the fog of his paperwork, and his loneliness at home, he yearns to find fulfilment before it's too late. He is encouraged in his search by two younger colleagues - the vibrant Margaret (Aimee Lou Wood) and idealistic new recruit Peter (Alex Sharp) - and a hedonistic stranger, Sutherland (Tom Burke), encountered during a desperate trip to the seaside.
When Longford (Jim Broadbent) receives a letter from convicted child murderer Myra Hindley (Samantha Morton) requesting a prison visit, he accepts the invitation despite protests from wife Margaret (Lindsay Duncan). He forms an unexpected bond with Hindley based on their mutual Catholic upbringing, and begins a decades-long fight to secure her parole. What Longford thinks he knows about Hindley is challenged during a visit to her partner-in-crime Ian Brady (Andy Serkis). His faith is further put to the test as popular outcry mounts against him for his involvement with the despised couple. Longford's controversial beliefs spark furious public debate and deep personal conflict as he presses on with his campaign to support Hindley's release; a campaign that threatens to leave his reputation in tatters.
When her father threatens to annul her marriage to a fortune-hunting playboy, spoiled heiress Ellie Andrews (Claudette Colbert) hops on a cross-country bus to New York, where she plans to live happily ever after with her handsome new hubby. Romantic complications however, when she's befriended by fellow passenger Peter Warne (Clark Gable), a brash and breezy reporter who offers his help in exchange for her exclusive story.
Soon after arriving to teach at a small-town college, Abe Lucas (Joaquin Phoenix) gets involved with two women: Rita Richards (Parker Posey), a lonely professor who wants him to rescue her from her unhappy marriage; and Jill Pollard (Emma Stone), his best student, who becomes his closest friend. While Jill loves her boyfriend Roy (Jamie Blackley), she finds Abe's tortured, artistic personality and exotic past irresistible. Pure chance changes everything when Abe and Jill overhear a stranger's conversation, and when Abe makes a profound choice, he is able to embrace life to the fullest again. But his decision sets off a chain of events that will affect him, Jill and Rita forever.
On a Friday night after hanging out with his straight mates, Russell heads out to a nightclub, alone and on the pull. Just before closing time he picks up Glen. Over the next 48 hours, Russell and Glen become inseparable, gradually forming a tight bond that neither of them could have predicted - one that may change their lives forever.
"Come and See" is one of the greatest war films ever made and one of the finest achievements of Soviet cinema. A devastating account of the Nazi occupation of Belarussia during World War II, it tells the story of a young boy's abrupt loss of innocence when he joins the Soviet resistance and is thrust headlong into the brutal horrors of combat. Featuring terrifyingly authentic battle scenes and poetic, almost surreal imagery, director Elem Klimov has fashioned a vivid and unforgettably powerful portrait of the terrible atrocities committed by men in the name of war.
"Life" is an intense sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns into one of primal fear when they find a rapidly evolving life-form that caused extinction on Mars, and now threatens the crew and all life on Earth.
Directed by Roland Joffe and brilliantly scripted by Bruce Robinson, 'The Killing Fields ' is based on the true story of the relationship between Sydney Schanberg (Sam Waterston), a Pulitzer Prize winning New York Times correspondent, and Dith Pran (Haing S. Ngor), the Cambodian aide who remains behind following the evacuation of Cambodian citizens by the US army.
Burt Lancaster, Tony Curtis and Gina Lollobrigida star as a triangle of lovers in this powerful drama set against the magnificent background of a European circus. Filmed on location in Paris, Trapeze has been acclaimed as one of the most spectacular and authentic circus movies ever made.
With stunning performances from Timothy Spall, Lesley Manville, Ruth Sheen and Marion Bailey this film also gave several of a new generation of British actors their first lead roles on the big screen including: Sally Hawkins, James Corden and Daniel Mays. Following different tales of melancholy, alcoholism, a violent abusive boyfriend and a frustrated unemployed youth - there seems to be no hope for a brighter future and no chance of escape yet glimmers of joy and humour still prevail. An authentic and deeply enjoyable Mike Leigh classic.
Garbo Talks!, proclaimed ads when silent star Greta Garbo debuted in talkies. Nine years and 12 classic screen dramas later, the gifted movie legend was ready for another change. Garbo Laughs!, cheered the publicity for her first comedy, a frothy tale of a dour Russian envoy sublimating her womanhood for Soviet brotherhood until she falls for a suave Parisian man-about-town (Melvyn Douglas). Working from a cleverly barbed script written in party by Billy Wilder, director Ernst Lubitsch knew better than anyone how to marry refinement with sublime wit. "At least twice a day the most dignified human being is ridiculous", he explained about his acclaimed Lubitsch Touch. That's how we see Garbo's lovestruct Ninotchka: serenely dignified yet endearingly ridiculous. Garbo laughs. So will you.
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