The four survivors from the most recent Woodsboro Ghostface killings have moved to New York City for a new start. Just as they begin to feel a sense of normalcy, they receive that infamous call. Ghostface is more brutal and relentless than ever and will stop at nothing to hunt them down.
Sidney Prescott, now the author of a self-help book, returns home to Woodsboro on the last stop of her book tour. There she reconnects with Sheriff Dewey and Gale, who are now married, as well as her cousin Jill (played by Emma Roberts) and her Aunt Kate (Mary McDonnell). Unfortunately Sidney's appearance also brings about the return of Ghost Face, putting Sidney, Gale, and Dewey, along with Jill, her friends, and the whole town of Woodsboro in danger.
"Bones and All" is a story of first love between Maren (Taylor Russell), a young woman learning how to survive on the margins of society, and Lee (Timothée Chalamet), an intense and disenfranchised drifter. It's a liberating road odyssey of two young people coming into their own, searching for identity and chasing beauty in a perilous world that cannot abide who they are.
New England, 1630: William (Ralph Ineson) and Katherine (Kate Dickie) lead a devout Christian life with their five children, homesteading on the edge of an impassable wilderness. When their new-born son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unrevelling within their own fears and anxieties, leaving them prey to an inescapable evil.
Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realise that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.
An alien entity inhabits the earthly form of a seductive young woman who combs the Scottish highways in search of the human prey it is here to plunder. It lures its isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed. But life in all its complexity starts to change the alien. It begins to see itself as 'she', as human, with tragic and terrifying consequence. 'Under the Skin' is about seeing ourselves through alien eyes.
The 2014 Cannes Palme d'Or winner from Nuri Bilge Ceylan is set in the hilly landscape of Cappadocia in Central Anatolia. A former actor, Aydin (Haluk Bilginer), owns a small hotel cut into the hillside, which he runs with his younger wife Nihal (Melisa Sozen). He has also inherited local properties, but leaves the business of rent collection to his agent. When a local boy, resentful of his father's humiliation by Aydin's agent, throws a stone at a jeep whilst Aydin and his agent are driving in it, Aydin ducks out of any responsibility or involvement. As the film progresses, the cocoon in which this self-satisfied man has wrapped himself is gradually unravelled. In a series of magnificent set-pieces, Aydin is exposed in his encounters with his wife, sister, and the family of the stone-throwing boy. He is finally brought face-to-face with who he truly is.
Everyone in 1880s America knows Jesse James. He's the nation's most notorious criminal, hunted by the law in 10 states. He's also the land's greatest hero, lauded as a Robin Hood by the public. Robert Ford, meanwhile, is a nobody. That, however, isn't something the ambitious 19-year-old will settle for. He'll befriend Jesse, join his gang and gain his confidence, and eventually become his downfall.
After a young teenage mother dies during childbirth, midwife Anna resolves to try to trace the baby's relatives. Guided by the girl's personal diary she meets Seymon, the charming proprietor of a plush Trans-Siberian restaurant who impeccably masks his cold and brutal acts as the head of one London's most notorious Eastern European crime families. Seymon's volatile son Kirill, who is also part of the Vory V Zakone criminal brotherhood, and the family's mysterious driver, Nikolai, soon cross her path as Anna accidentally unleashes the full fury of the Vory...
When the government of Indonesia was overthrown by the military in 1965, more than one million people were killed in less than a year. Anwar and his friends were promoted from ticket scalpers to death squad leaders, and Anwar killed hundreds of people with his own hands. In 'The Act of Killing', Anwar and his friends agree to tell us the story of the killings. But their idea of being in a movie is not to provide testimony for a documentary: they want to be stars in their favourite film genres - gangster, western, musical. They write the scripts. They play themselves. And they play their victims. 'The Act of Killing' is a nightmarish vision - a journey into the memories and imaginations of the unrepentant perpetrators and the shockingly banal regime of corruption and impunity they inhabit.
Raimunda (Penelope Cruz) and her sister Sole (Lola Duenas) are visited by the apparition of their Mother (Carmen Maura), who has returned to reconcile with her daughters and resolve an issue that has haunted the family since her death. In Pedro Almodovar's latest critically-acclaimed film, the living and deceased co-exist without discord, creating a filmic experience which is at once hilarious and yet filled with a deep, genuine emotion. VOLVER is a film about life in Almodovar's native La Mancha; a film about the way the presence of the dead continues to add richness and humanity to the lives of those they leave behind.
Poppy (Sally Hawkins) is an irrepressibly cheerful primary school teacher who won't let anyone or anything get her down. Even when her bicycle, which she so happily rides through the busy streets of London is stolen, her first thought is only: "I didn't even get a chance to say goodbye." Living with her flat mate Zoe (Alexis Zergerman), Poppy has a gift for making the most of life. Determined to learn to drive, she finds herself matched with Scott (Eddie Marsan), an uptight driving instructor who is everything she is not.
Japan, August 1945. Millions of Japanese are stunned to hear the voice of their Emperor for the first time, as he commands his people to cease all fighting. Though the address saves the lives of countless Japanese and thousands more Allied Forces, the victorious powers insist Emperor Hirohito appear before a military tribunal. Alexander Sokurov's fascinating and compelling film chronicles the events leading up to Hirohito's momentous speech, the historic renunciation of his divine status and his meetings with General Douglas MacArthur, the commander-in-chief of the occupying American forces, who advises his own President not to declare the Japanese leader a war criminal. Featuring a towering central performance by Issey Ogata, Sokurov creates an intimate portrait of a human being deeply affected by the tragedy that besets his country.
Tom (Romain Duris) is an aspiring musician who plays seedy bars in the backstreets of Paris. The one thing tearing him away from his music is the example set by his father - a sleazy life of crime which Tom seems set to follow. But when, by chance, he meets a friend of his concert pianist mother's, his musical ambitions are rekindled and he strives to make a better life for himself.
Garlanded with awards, Apichatpong's visionary film exists in dual realms, exploring connected themes of love and desire in a radically different way. A fractured love story is interrupted by a feverish night-time odyssey into the heart of the jungle where shape-shifting spirits and tigers abound. The conscious and the subconscious, the modern and the ancient, reality and myth; all become magically entwined in this hypnotic, mysterious drama.
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