







Being There is a clever and funny film that feels surprisingly relevant today. Peter Sellers plays Chance, a simple gardener who knows nothing about the world except what he’s seen on TV. When he ends up outside his sheltered life, people mistake his basic comments for deep wisdom, turning him into an unlikely celebrity. Sellers is brilliant, making Chance innocent yet oddly charming.
The story, directed by Hal Ashby, is calm and slow, but that’s part of its magic. It’s not flashy—it wants you to think. The film pokes fun at how powerful people can be fooled by appearances and how easily the media shapes opinions.
The ending is unforgettable, leaving you wondering what it all really means. Funny, strange, and thought-provoking, Being There shows how sometimes the simplest people can reveal the silliest truths about the world. I really enjoyed every moment of it.
At more than two hours, most scenes as slow moving as Peter Sellers's voice, Being There is so absorbing that it goes by quickly. The story, from Jerzy Kosinski's novel, is well known, and perhaps not his own creation. Whether or not he took it from a Thirties Polish novel is perhaps irrelevant, for it is a variant on the theme of an innocent in a complex world.
A Candide for our times, Sellers's incarnation of the gardener Chance who has been cocooned from the world all his life is a performance galvanised by all that he sees of that world previously known through the television screen. This gives rise to his catchphrase "I like to watch" which becomes all the more memorable when uttered during the scene where Shirley Maclaine attempts to seduce him (a pleasuring to rival the "I'll have what she's having" of When Harry Met Sally). As memorable are the sexual difficulties suffered by the President (Jack Warden) and his wife when Chance's indvertent fame finds him so acclaimed for his simple wisdom that he could be a front runner for the highest office in the land.
Bring There is, then, hardly a work of stark realism but it goes beyond the limits of a fable to become something genuinely affecting - not least an ending which occured ro director Hal Ashby as he was about to film it. Superby filmed, often within large interiors, Being There achieves a form of magic.