Moving Richard III to an alternative 1930s Britain could have been a gimmick. It isn’t. The fascist styling gives all the scheming and crown-grabbing a nasty little kick, while Richard Loncraine keeps the whole thing stylish and punchy. Co-written by Loncraine and Ian McKellen, it feels smartly reshaped for the screen rather than merely dressed up.
McKellen is still the main event: witty, vain, calculating and completely shameless. I spent most of the film watching him ruin everyone’s day, then admiring the sheer nerve of it. The cast is loaded, even if the final stretch doesn’t grip as tightly as the climb to power. Not flawless, but McKellen’s villainy is great fun to watch.
Strange but interesting film.Acting was good but I couldnt see the point in making it modern.The death of Rivers was weird & why was only one
prince murdered by Tyrell ,what about his brother? Jim Carter (Hastings) was quite slim & young whereas Maggie Smith looked as she did in
Downton Abbey.Battersea Power station was easily recogniseable,as were other buildings.W orth seeing as a different slant on the Play.