Rent Impact (1949)

3.6 of 5 from 50 ratings
1h 50min
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Synopsis:
Walter Williams' two-timing wife and her lover plot his murder but he survives the attack and the lover is burned beyond recognition whilst driving Williams' car. Whilst the dazed Walter (Brian Donlevy) recuperates in Idaho, his memory is brought back by reading reports of his so-called demise. When he returns to San Francisco he finds himself on trial for the murder of Irene's (Helen Walker)'s lover.
Actors:
, , , , , , , , , , Sheilah Graham, , , , , , , , Lucius Cook,
Directors:
Producers:
Leo C. Popkin
Writers:
Dorothy Davenport, Jay Dratler
Studio:
Elstree Hill Entertainment
Genres:
Classics, Drama, Thrillers
BBFC:
Release Date:
21/11/2005
Run Time:
110 minutes
Languages:
English Dolby Digital 1.0
Subtitles:
None
DVD Regions:
Region 0 (All)
Formats:
Pal
Aspect Ratio:
Full Screen 1.37:1
Colour:
B & W

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Reviews (1) of Impact

Minor Noir. - Impact review by Steve

Spoiler Alert
Updated 11/11/2021

Low budget film noir about an unfaithful wife (Helen Walker) who schemes have her rich husband (Brian Donlevy) murdered during a car journey. When her lover/accomplice fails to complete the kill and is consumed in the flames of a crash with a petrol truck, everyone assumes it is Donlevy's burned corpse at the scene of the accident.

While the concussed, amnesiac husband stumbles into a small town in Idaho to work as a mechanic for the tomboyish Ella Raines, Walker is busted by a smart Irish cop (Charles Coburn) and goes on trial for a murder that never happened.

 Impact shows how robust the conventions of film noir are. The film is a reshuffling of noir archetypes, made by an unremarkable director and crew with a B standard cast. But it's still a very entertaining film, with a strong atmosphere.

Donlevy is fine as a schmuck that gets played for a sap, and Raines lifts the second half as the down to earth good girl who contrasts with Walker's glamorous femme fatale. Arthur Lubin was a lifelong low budget director but he could turn out a pacy thriller and he handles the narrative well.  American film noir rarely lets you down.

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