cinemadiso's - Mid-20th-Century Best Films Vol. 1 List

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Eleven jurors are convinced that the defendant is guilty of murder. The twelfth has no doubt of his innocence.

How can this one man steer the others toward the same conclusion? It's a case of seemingly overwhelming evidence against a teenager accused of killing his father in "one of the best pictures ever made".

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In 16th century Japan a poor village is raided every year by a group of bandits until, driven to the brink of starvation, the villagers decide to hire professional warriors to protect them. With only three meager meals a day to offer as payment, their request seems an impossible one.

A simple plot, flawlessly executed - 'Seven Samurai' combines comedy, pathos, memorable characters, gripping tension and some of the finest action scenes ever filmed.

Jefferies (James Stewart), a photographer with a broken leg, takes up the fine art of spying on his Greenwich Village neighbours during a summer heat wave. But things really hot up when he suspects one neighbour (Raymond Burr) of murdering his invalid wife and burying the body in a flower garden.

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Gloria Swanson as Norma Desmond, an ageing silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunset Boulevard.

Winner of three Academy Awards, director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot in unrelenting ominousness, are equally celebrated for their masterful performances.

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Roger Thornhill (Cary Grant) is not a spy. And he's certainly no murderer. Nevertheless, Thornhill's a wanted man: enemy agents want him dead, the police want him arrested, and a cool, mysterious blonde (Eva Marie Saint) just plain wants him.

A victim of mistaken identity, Thornhill can't afford to make any mistakes of his own - so he embarks on a death-defying run for his life. Relentlessly pursued by plane, train and automobile, Thornhill's cross-country chase finally ends atop Mt. Rushmore where, if he doesn't watch his step, he could be in for a terrible fall.

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Safe their picturesque chateau behind the front lines, the French General Staff passes down a direct order to Colonel Dax (Kirk Douglas): take the Ant Hill at any cost. A blatant suicide mission, the attack is doomed to failure.

Covering up their fatal blunder, the Generals order the arrest of three innocent soldiers, charging them with cowardice and mutiny. Dax, a lawyer in civilian life, rises to the men's defense but soon realizes that, unless he can prove that the Generals were to blame, nothing less than a miracle will save his clients from the firing squad.

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One of the towering masterpieces of Japanese and world cinema, this three-part war epic has rarely been seen in the UK, at least partly because of its dauntingly gargantuan nine-hour length.

Director Masaki Kobayashi (Harakiri) was attracted to Junpei Gomikawa's source novel because he recognised himself in the character of the protagonist Kaji, an ardent pacifist who came of age during the aggressively militaristic 1930s and 40s. In part one, 'No Greater Love', Kaji is relocated to a mine-supervising job in Manchuria, where he is horrified by the use of forced labour. Part two, 'Road to Eternity', sees him conscripted into the Japanese army and forced to fight in the name of an aggressively imperialist cause. Part three, 'A Soldier's Prayer', deals with the consequences of Japan's defeat, not least for Kaji himself. Throughout, Kobayashi unflinchingly examines the psychological toll of appallingly complex decisions, where being morally 'right' risks outcomes ranging from ostracism to savage beating to death. As Kaji, Tatsuya Nakadai (Sanjuro) is in virtually every scene, providing a rock-solid emotional anchor - and a necessary one in Japan, where the film was hugely controversial for being openly critical of the nation's conduct during WWII. But it's this willingness to confront national taboos head-on that makes it such a lastingly powerful experience.

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After he saves her from drowning in the bay, Scottie's (James Stewart) interest shifts from business to fascination with the icy, alluring blonde. When tragedy strikes and Madeleine (Kim Novak) dies, Scottie is devastated.

But when he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.

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From the moment she glimpses her idol at the stage door, Eve Harrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davis).

The cunning Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill), her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cynical drama critic (George Sanders) sees through Eve, admiring her audacity and perfect pattern of deceit. Thelma Ritter and Marilyn Monroe co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.

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A woodcutter experiences a horrific series of events - an ambush, rape and murder.

In the telling of the tale however, each of the four participants give different views of what actually happened - is any of them telling the truth? Kurosawa's masterful film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.

Silent movies are giving way to talking pictures - and a hoofer-turned-matinee idol (Gene Kelly) is caught in that bumpy transition, as are his buddy (Donald O'Connor), prospective ladylove (Debbie Reynolds) and shrewish costar (Jean Hagen).

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When British P.O.W.'s build a vital railway bridge in enemy-occupied Burma, Allied commandos are assigned to destroy it in David Lean's epic World War II adventure 'The Bridge on the River Kwai'.

Spectacularly produced, 'The Bridge on the River Kwai' captured the imagination of the public and won seven 1957 Academy Awards, including Best Picture, Best Actor (Alec Guinness), and Best Director. Even it's the theme song, an old WWI whistling tune, the 'Colonel Bogey March', became a massive worldwide hit. 'The Bridge on the River Kwai' continues today as one of the most memorable cinematic experiences of all time.

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When Chicago musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) accidentally witness a gangland shooting they quickly board a southbound train to Florida, disguised as Josephine and Daphne, the two newest and homeliest members of an all-girl jazz band. Their cover is perfet...

until a lovelorn singer (Marilyn Monroe) falls for "Josephine", an ancient play-boy (Joe Brown) falls for "Daphne", and a mob boss (George Raft) refuses to fall for their hoax!

When a wealthy widow is found murdered, her married suitor, Leonard Vole (Tyrone Power), is accused of the crime. Vole's only hope for acquittal is the testimony of his wife (Marlene Dietrich)...but his airtight alibi shatters when she reveals some shocking secrets of her own!

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Marlon Brando gives one of the screen's most electrifying performances and was named Best Actor at the 1954 Academy Awards for this film. Ex-fighter Terry Malloy (Brando) could have been a contender, but now toils for boss Johnny Friendly (Lee J. Cobb) on the gang-ridden waterfront.

Terry is guilt-stricken, however, when he lures a rebellious worker to his death, but it takes the love of Edie Doyle (Eva Marie Saint), the dead man's sister, to show Terry how low he has fallen. When his crooked brother Charley the Gent (Rod Steiger) is brutally murdered for refusing to kill him, Terry battles to crush friendly's underworld empire.