In the near future, a time of artificial intelligence: 86-year-old Marjorie (Lois Smith) - a jumble of disparate, fading memories - has a handsome new companion (Jon Hamm) that looks exactly like her deceased husband Walter. This is a Prime a holographic simulation programmed by Marjorie's daughter (Geena Davis) and her husband Jon (Tim Robbins) to feed the story of her life back to her. But as their interactions develop it becomes clear that each of them has a very complex relationship with their shared histories, with each other, and with this new technology they've invited into their home.
"Toni Erdmann" is a touching and remarkably funny portrait of an offbeat father-daughter relationship. Sandra Huller plays Ines, a highly-strung career woman whose life in corporate Bucharest takes a turn for the bizarre with the arrival of her estranged father Winfried (Peter Simonischek). An incessant practical joker, Winfried attempts to reconnect with Ines by introducing the titular eccentric alter ego to catch her off guard, unaware of how capable she is of rising to the challenge... This breakout German comedy, which has been met with universal critical acclaim, is as humanist as it is absurdist - a film about the importance of celebrating the humour of the everyday.
Part road movie, part suspense thriller, the plot is high-tension simplicity itself. In the South American jungle, supplies of nitro-glycerine are urgently needed at a remote oil field. The unscrupulous American oil company pays four out-of-work men (Yves Montand, Charles Vanel, Folco Lulli and Peter Van Eyck) to deliver the supplies in two sets of drivers: a tension magnified thousand fold by the unforgiving heat, the lure of filthy lucre and the rough and rocky roads where the slightest jolt can result in agonising death. Which of the disparate, desperate desperadoes will survive the white-knuckle journey and claim the loot and the glory?
Casey Affleck and Rooney Mara star as a young couple who - after being separated by loss - discover an eternal connection and a love that is infinite. An unforgettable meditation on love and grief, 'A Ghost Story' emerges ecstatic and surreal - a wholly unique experience that lingers long after the credits roll.
In a majestic world of intricate hand-drawn textures, a shipwrecked man is found marooned on a desert island. With his attempted escapes thwarted by the stranger and larger-than-life titular red reptile, the man's existence is forever altered when something extraordinary occurs.
When, beset by debt, Madame de...(Danielle Darrieux) decides to sell a pair of earrings that were a wedding gift from her husband Andre (Charles Boyer), she unwittingly sets in motion a chain of events that will have serious consequences, not only for the Parisian couple but for Andre's mistress and for an Italian Baron (Vittorio De Sica) who purchases the, by then, much-travelled jewellery.
Joan Crawford plays Vienna, a saloon owner with a sordid past. Persecuted by the townspeople, Vienna must protect her life and her property when a lynch mob led by her sexually repressed rival, Emma Small (Mercedes McCambridge), attempts to frame her for a string of robberies she did not commit. Enter Johnny Guitar (Sterling Hayden), a guitar-strumming ex-gunfighter who has a history with Vienna.
Jimmy Logan (Channing Tatum) is from a blue-collar family from the hills of West Virginia, whose clan has been famous for its bad luck for nearly 90 years. After being fired from his job, and with his ex-wife (Katie Holmes) threatening to move out of State taking their daughter with her, Jimmy decides he has to do something to get his family's life back on track. With a little help from his brother Clyde Logan (Adam Driver), his sister Mellie (Riley Keough) and an incarcerated explosive expert, the aptly named Joe Bang (Daniel Craig), he plans to steal $14 million from the Charlotte Motor Speedway on the busiest race day of the year.
Before she was Wonder Woman, she was Diana (Gal Gadot), princess of the Amazons, raised on a sheltered island paradise and trained to be an unconquerable warrior. When an American pilot (Chris Pine) crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers...and her true destiny.
From Lucasfilm comes an epic adventure - 'Rogue One: A Star Wars Story'. In a period of great conflict, a group of unlikely heroes led by Jyn Erso (Felicity Jones), a daring fugitive, and Cassian Andor (Diego Luna), a rebel spy, band together on a desperate mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.
How does an Irish lad without prospects become part of 18th-century nobility? For Barry Lyndon (Ryan O'Neal) the answer is: any way he can! His climb to wealth and privilege is the enthralling focus of this sumptuous Stanley Kubrick version of William Makepeace Thackeray's novel. For this ravishing, slyly satiric winner of four Academy Awards, Kubrick found inspiration in the works of the era's painters. Costumes and sets were crafted in the era's designs and pioneering lenses were developed to shoot interiors and exteriors in natural light. The result? 'Barry Lyndon' endures as a cutting-edge movie that brings a historical period to vivid screen life like no other film before or since.
Frontiersman Vern Haskell (Arthur Kennedy) wanders the West obsessed with finding the men responsible for murdering his fiancee. His quest leads him to 'Chuck-a-Luck' - the film's original title - a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). Posing as an escaped criminal, Haskell falls in with murderous gunslinger Frenchy Fairmont (Mel Ferrer) and slowly but surely becomes indistinguishable from those he is hunting. Adapted from a story the director had developed with Sylvia Richards, Lang and screenwriter Daniel Taradash fashioned a highly moral and distinctly feminist tale that innovatively re-worked his quintessential themes of love, betrayal and retribution. A troubled production due to the interventions of studio head Howard Hughes and the fiery relationship between Lang and the iconic Dietrich - seldom better - 'Rancho Notorious' is now justly celebrated as a unique and visionary classic.
Set in 1970's Santa Barbara, '20th Century Women' is the story of Dorothea (Annette Bening), a single mother, and her son Jamie, as he comes of age at a time brimming with cultural change and rebellion. As life challenges both of them in new ways, Dorothea enlists the help of two younger women in Jamie's upbringing; Abbie (Greta Gerwig), a free-spirited punk artist living as a lodger in their home, and Julie (Elle Fanning), a savvy and provocative teenage neighbour.
In the near future, crime is patrolled by an oppressive mechanised police force. But now, the people are fighting back. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself. As powerful, destructive forces start to see Chappie as a danger to mankind and order, they will stop at nothing to maintain the status quo and ensure that Chappie is the last of his kind.
Brace yourself as one of the all-time spellbinders possesses you all over again. Director William Friedkin and producer/screenwriter William Peter Blatty have revisited The Exorcist to integrate 11 minutes of scenes and images deleted before the film's 1973 release and digitally restore the picture and audio elements. The result is an experience more gripping than ever. Now seen are moments deepening the impact of the performances by Linda Blair, Ellen Burstyn, Jason Miller, Max von Sydow and Lee J. Cobb. They include a "nervous disorder" dianosis, expansion of Father Merrin's arrival before the ritual, priestly doubts during the ritual, an epilogue with Lt. Kinderman and Father Dyer and most notably, a shattering staircase descent by Regan. Winner of Oscars for Best Adapted Screenplay and Sound, The Exorcist astonishes time and again like no other movie.
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