Rent Shadows (1959)

3.5 of 5 from 80 ratings
1h 18min
Rent Shadows Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
Shot in black and white with a skeleton six person crew, 'Shadows' offers a frank observation of the tensions and lives of there siblings in an African-American family in which two of the siblings, Ben (Ben Carruthers) and Leila (Lelia Goldoni), are light-skinned and able to 'pass' for white.
Actors:
, , , , Dennis Sallas, , David Pokitillow, , , Pir Marini, Victoria Vargas, , Jacqueline Walcott, , Jay Crecco
Directors:
Producers:
Maurice McEndree
Writers:
John Cassavetes
Studio:
Optimum
Genres:
Classics, Drama, Romance
Collections:
Top 10 Films By Year, Top 10 Films of 1959
BBFC:
Release Date:
12/09/2005
Run Time:
78 minutes
Languages:
English LPCM Mono
Subtitles:
None
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
B & W
Bonus:
  • Silent Rehearsal Footage
  • Commentary by Seymour Cassel and Tom Charity
BBFC:
Release Date:
23/04/2012
Run Time:
82 minutes
Languages:
English LPCM Mono
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
B & W
BLU-RAY Regions:
B
Bonus:
  • Audio Commentary with Cassavetes collaborator Seymour Cassel and film critic Tom Charity

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Reviews (1) of Shadows

Prototype American New Wave - Shadows review by LE

Spoiler Alert
31/07/2023

I rented this because Martin Scorsese often speaks about it as a huge influence on his work. His student film 'Who's That Knocking At My Door', for example, is clearly influenced by this. As are 'Mean Streets' and 'Taxi Driver'. I would argue that his later spiritual films also owe a debt to Cassavetes' work. This film feels rough in our age of super-slick cinema but there is a truth and vibrancy to the characters and their environments that feels almost subversive. Among other things, it's a fascinating nuanced look at race in 1950s New York and it must have been somewhat daring to produce a film at that time with three main black characters. But it's not only about race, it's about life, hope, despair, and art itself. Just as it influenced Scorsese you can't miss the influence of the French New Wave on it.

It comes with a commentary track that is a bit below par. Seymour Cassell provides some insights but he is rather disagreeable, and the academic beside him doesn't provide the substance necessary for a difficult film like this. They do sometimes refer to what they/we are watching but it often just feels like a stilted audio interview. This film really deserves a proper commentary by someone who knows how to do them. CALLING MR SCORSESE.....!

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