Complex historical epic about a painter of Orthodox Christian icons in medieval Russia, which is difficult and cerebral, but also an incredibly visceral spectacle. The life of the saint is examined in a series of fictional episodes which range from long philosophical discussions about faith, to a memorably violent battle scene.
Anatoliy Solonitsyn is understated in the title role. Everything is secondary to Andrei Tarkovsky’s erudite, profound evocation of brutal, austere 15th century Moscow. The events mostly take place in a rural Cathedral which the artist restores, only to be sacked by a Tatar invasion.
It slowly evolves into a dramatic final episode about the creation of a huge bronze bell, which illustrates the 'miracle of faith', rather than as a point of interest in a labyrinthine discussion. And as they actually make the bell using historical methods, it demonstrates the superior level of craft at the director’s command.
This can feel more astonishing than entertaining. The excess of symbolism may be a challenge which requires further research… Certainly it tests interest in issues of faith in medieval Russia. Though, unlike the director’s later head-movies, it’s not obscure. It’s a staple of best-ever film lists. But be prepared to do some work!