Bright, breezy, and built from pure Disney template — princess wants more, grows legs, gets the man. The Little Mermaid has charm, but not much surprise. Ariel’s whole deal is still faintly mad: she gives up her voice for a stranger she’s never even spoken to, and the film insists this is romance rather than one enormous warning sign.
What saves it — genuinely saves it — are two songs. “Under the Sea” and “Part of Your World” are so good they’ve burrowed into my skull and refused to leave. Menken and Ashman are doing the emotional heavy lifting here, giving the film a heart the story can’t quite supply on its own.
Worth your time for the songs alone. Just don’t poke the plot too hard.