The greatest ever backstage musical offers a vicarious glimpse of life on Broadway in the thirties while also reflecting the hardship of the depression. It is one of the the great films about the depression because it approaches it obliquely and through the genre conventions of the musical, avoiding the sanctimony that is sometimes the Hollywood way with serious social issues.
It's quite a realistic chorus line story with characters who would become archetypes: the lecherous financier (Guy Kibbee); the hardboiled, stage director (Warner Baxter), under pressure and giving the company hell; the sassy, wisecracking, starving dancers led by Ginger Rogers and Una Merkel. Bebe Daniels is the hot tempered diva; Dick Powell the pretty, romantic juvenile.
And of course, as the ingenue who gets her chance when the star goes down lame, Ruby Keeler. In the immortal words of Warner Baxter: 'Sawyer, you're going out a youngster but you've got to come back a star!'. The punchy, sassy dialogue is a treat. OK, Keeler dances like a horse, she's overweight and her acting is little more than enthusiastic, but, who cares. So much else is wonderful.
This is Warners so we get unpretentious proletariat scenarios. But the last three numbers, are gloriously staged by legendary dance director Busby Berkley in his expressionist style. Shuffle Off to Buffalo, Young and Healthy, and the showstopping 42nd Street. The title song is immortal, and Berkley's living tableau of the Great White Way channels a metropolitan mythology which remains rich and joyous.
Captures the spirit of the times. The speech is fast and the action entertaining, but hugely enjoyable.