This is called film noir but it's hardly a crime film- except for a death related to a subplot about post-WWII fascists in Argentina. The main story is a romantic melodrama, though its visual art and dense, pessimistic dialogue is very noir. As are its fascinating, emotionally diseased heroes played by Glenn Ford and the unforgettable Rita Hayworth as Gilda.
Their introductions are beguiling: Ford throwing his crooked dice into the gaze of the camera, fringe swinging over his glowing, saturnine face; Hayworth tossing her hair, rising up into the frame from the bed ('Are you decent Gilda? Who, me?'). They have torn each other apart before the film even starts, only for Ford's new boss to unwittingly bring her back as his wife.
Ford is superb, as an ambitious gambler who makes his own luck. But Rita is a sensation as the sexy, epigrammatic, superstitious Gilda. Her look become a model of '40s Hollywood glamour. Her delivery of the fatalistic dialogue is sublime, Plus the two musical numbers, Amado Mio, and Put the Blame On Mame, where her legendary strip damn near stops the film.
She actually just takes her gloves off! There's fine support from George Macready as the dangerous casino owner/Gilda's husband, with plans for a second act for the Nazis. The portrait of a malignant sexual pathology is overwhelming. Gilda says it best: 'I hate you so much I would destroy myself to take you down with me'.
I am so glad that Cinema Paradiso exists. Members can enjoy films from different eras and it good to be reminded of screen magnets like Rita Hayworth. I don't honestly think that overall this film is great but it is absolutely carried by the extremely glamourous Rita Hayworth. A true star!