Rent Dry Summer (1964)

4.0 of 5 from 62 ratings
1h 32min
Rent Dry Summer (aka Susuz Yaz) Online DVD & Blu-ray Rental
  • General info
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Synopsis:
During a particularly dry rural Turkish summer, a group of local workers enters into a dispute with a landowner when he decides the construction of new irrigation infrastructure must first and foremost service his own property. Wholly rapacious, the landowner foments a private war with his own kin after the brother takes a bewitching young wife. The battle between the factions plays out in stunning set-pieces: a pursuit with pistols amidst grass-stalks and dam-water before the setting sun evokes elements...
Actors:
, , , , , Zeki Tüney, Yavuz Yalinkiliç
Directors:
Producers:
Ulvi Dogan, William Shelton
Voiced By:
Sami Ayanoglu, Niyazi Er, Sadettin Erbil, Alev Koral, Ercan Yazgan
Writers:
Necati Cumali, Metin Erksan, Kemal Inci, Ismet Soydan
Aka:
Susuz Yaz
Studio:
Eureka
Genres:
Classics, Drama
Countries:
Turkey
Awards:

1964 Berlinale Golden Bear

BBFC:
Release Date:
25/11/2013
Run Time:
92 minutes
Languages:
Turkish LPCM Mono
Subtitles:
English
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.37:1
Colour:
B & W
Bonus:
  • Exclusive new video introduction to the film by Martin Scorsese
BBFC:
Release Date:
25/11/2013
Run Time:
92 minutes
Languages:
Turkish LPCM Mono
Subtitles:
English
Formats:
Pal
Aspect Ratio:
Full Screen 1.37:1
Colour:
B & W
BLU-RAY Regions:
B
Bonus:
  • Exclusive new video introduction to the film by Martin Scorsese

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Reviews (1) of Dry Summer

Dammed If You Do - Dry Summer review by griggs

Spoiler Alert
19/07/2026


I expected worthy black-and-white social realism and got something thornier and far more tightly wound than I bargained for.


Dry Summer earns its title fair and square — the village is parched, the water rights are contested, and the morals aren't looking too healthy either. Once the dam goes up, the tension is real, even if I could usually see the next beat coming a mile off. It plays like a countdown rather than a mystery, and I mean that as a compliment.


The photography is the real star — those wide shots of cracked earth and dammed stream look painterly enough to frame. Osman is magnetic and faintly unhinged, though a couple of the supporting turns feel pitched for a theatre balcony rather than a camera.


Fans of Jean de Florette will clock the DNA — water, greed, land, a slow unravelling — and for my money this one got there first, and meaner.


It's predictable almost to a fault, but I got under its spell anyway.


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