Rent Fahrenheit 11/9 (2018)

2h 8min
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Hailed as "Michael Moore's most powerful film yet" (Sophia A. McClennen, Salon), 'Fahrenheit 11/9' is a provocative and comedic look at the times in which we live. It will explore the two most important questions of the Trump Era: How the f**k did we get here, and how the f**k do we get out?
Jim Acosta, , , , , , , Ruth Ben-Ghiat, , , , John Bolton, , , , Pat Caesar, , , ,
Carl Deal, Michael Moore, Meghan O'Hara
Michael Moore
Vertigo Releasing
Documentary, New Releases, Special Interest
Release Date:
Run Time:
128 minutes
Aspect Ratio:
Widescreen 1.78:1 / 16:9

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Fahrenheit 11/9 review by Mark McPherson - Cinema Paradiso

During the 2016 presidential election, Michael Moore continued to spout in a gloomy doomsday manner that Donald Trump may very well be the next president of the United States. Few believed him, from politicians to celebrities to various polls, all believing that Trump had shot himself so far in the foot a victory was impossible. And yet it happened, leading to Moore crafting his latest documentary that begins with an obvious question of the naysayers; “How the f**k did this happen?”

But Moore’s film isn’t just about the corrupt nature of Trump’s win and the damage he has done in his first two years in office. There are certainly a plethora of documentaries on this subject. His film aims to not only take on Trump’s manner of policy and speaking but also the entire system in a rather scattershot method that borders on babble for jumping through so many topics. He takes aim at how Hillary Clinton was perceived by the media, using plenty of graphics to let you know the multiple interviewers who grilled her were later found to be guilty of sexually harassing women. Later, he’ll draw attention to Trump’s very creepy manner of talking about his daughter over the years, constantly talking about her body and how he would’ve dated her, stating that his smash-cut shouldn’t gross you out since it has been public for so long. And then he goes for the lowest hanging fruit of placing Trump’s audio and his actions over footage of Hitler and Nazi Germany. The shoe fits but, wow, does Moore like to stomp incredibly loud with this familiar tactic.

Another area Moore gets lost within while trying to tie back in with Trump is a more personal subject of the decaying nature of Michigan. He shines a harsh spotlight on how water for Flynt was diverted to the toxic river that ended up poisoning the community with lead, in what Moore describes as a slow-motion extermination. The corrupt and bought governor decided to switch water flow back to the great lakes but only for the automobile factory, as the toxic water damages the parts. If this doesn’t make it clear that the politicians of Michigan care more about profits than people, perhaps the uninformed military practice drills of helicopters and gunfire will convince you.

For the few still allegiant to Trump that believes my favor of his failure is political bias, consider how Moore goes after everyone in this scenario. He speaks with Bernie Sanders about how the Democratic party shut him out to favor what they believed was the strong candidate of Hillary Clinton. The laziness of Clinton’s campaign is called out for not being more prolific and resting too easy on Trump’s bafoonish nature to carry her to the polls. Even former President Obama becomes a useless tool for change when he visits Flynt and stuns a crowd with how casually he addresses the people dying of lead poisoning and having a government that has failed them.

Much like Moore’s previous film, Capitalism: A Love Story, the documenter presents us with a nihilism for his film, that even knowing all this won’t mean anything. It’s in this rant that Moore becomes lost, verging on becoming one of the crazies on the street that runs through several dozen topics in the course of a few minutes. And so he tries a familiar tactic of Trump; he cuts off his climax statement with that missile attack warning in Hawaii that proved to be fake. Though only a drill, the fear was there on everyone’s faces as they scrambled for proper shelter. Moore wonders if we’ll ever be that mindful of the current problems of Flynt’s polluted water, the gun violence that continues to run rampant, the unethical actions of immigration enforcement, and corruption of greed within the flawed political system. Or will we only notice its damage when it’s right in our faces with the world ending? I recall a radio personality months ago making a case for Trump, that we should wait until he fires off a nuke to blame him for anything. This the reality of how passive the world has become, where only the deepest fears speak the loudest and divide us further.

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