Rent Xala (1975)

3.5 of 5 from 52 ratings
2h 3min
Rent Xala (aka Impotence / The Curse) Online DVD & Blu-ray Rental
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Synopsis:
An adaptation of Ousmane Sembène's own 1973 novel, 'Xala' is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures.
Actors:
Thierno Leye, , Seune Samb, Fatim Diagne, Younouss Seye, , Iliamane Sagna, Dieynaba Niang, Langouste Drobe, , Abdoulaye Boye, Papa Diop, Martin Sow, , , , , Marcel Baziau, Paul-André Pellegrin, Jean-Paul Salaun
Directors:
Producers:
Paulin Vieyra
Writers:
Ousmane Sembene
Aka:
Impotence / The Curse
Genres:
Comedy, Drama
Collections:
Cinema Paradiso's 2023 Centenary Club: Part 1, A Brief History of Film...
Countries:
Senegal
BBFC:
Release Date:
Not released
Run Time:
123 minutes
Languages:
French
Subtitles:
English
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
Colour
BBFC:
Release Date:
03/06/2024
Run Time:
123 minutes
Languages:
French LPCM Mono
Subtitles:
English
Formats:
Pal
Aspect Ratio:
Widescreen 1.66:1
Colour:
Colour
BLU-RAY Regions:
B

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Reviews (1) of Xala

Limp Authority - Xala review by griggs

Spoiler Alert
12/08/2026


There’s something almost cruel about opening a film on erectile dysfunction and ending up with the sharpest political gut-punch.


Impotence as a metaphor for a rotten new elite sounds like a hard sell, but Ousmane Sembène pulls it off with a straight face and a wicked sense of timing. El Hadji, a Senegalese businessman marrying his third wife, is cursed on his wedding night and can’t perform—professionally or otherwise, as it turns out. His authority goes limp along with everything else.


The boardroom scenes are where the knives really come out: French suits, French language, until one man switches to Wolof and gets shut down cold. Then, cornered and desperate, El Hadji rounds on his fellow businessmen, calls the whole lot of them witch doctors, and whips out his own talisman on the way out the door—the world’s least convincing exit line. He’s replaced by a pickpocket, which feels less like a twist than the film finally saying the quiet part out loud.


I’m still turning that swap over in my head. Funny, vicious, and thoroughly pleased with itself.


1 out of 1 members found this review helpful.

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