







After she won her Oscar for Born Yesterday in 1951, Columbia pictures was stuck with the headache of what to do with Judy Holliday. The response was to insert her strident Brooklyn schtick into a series of lacklustre comedies of diminishing quality. This was again written by Garson Kanin and directed by George Cukor, but it's a misfire.
Yet the themes are extraordinarily prophetic... Holliday plays a working girl who wants to be famous for being famous. Jack Lemmon is an ordinary guy who walks around New York with a portable camera filming everything he sees. What could be more internet? Though at the time it was Judy's dumb-kook persona which resonated.
It's a very slight lifestyle picture; an overextended daydream. There's some extraordinary b&w footage of Manhattan, particularly around Central Park. The theme of the banality of celebrity still registers. And it's interesting to see Lemmon's debut in the sensitive, nerdy loser role, which typecast his early career.
But the premise isn't explored with any intelligence, and Kanin's dialogue delivers zero laughs. His scripts are comedies of propriety. They assert 1950s expectations of social conformity. So Judy is always guarding her reputation. And those conservative values have not only vanished, but now feel tiresome.