Keith spends the film chasing Amanda while Watts carries feelings nobody in Some Kind of Wonderful has the nerve to say out loud. It's the moodier, more class-conscious cousin of Pretty in Pink, and this time John Hughes and Howard Deutch put the boy on trial for his own romantic main-character energy.
Eric Stoltz plays Keith as a decent enough lad with a wildly inflated sense of his own destiny. The film belongs to Mary Stuart Masterson's Watts, though, hiding feelings nobody around her seems able to read. She's funny, prickly and clearly the smartest person in any given scene, script included, which makes it a shame the plot keeps benching her for Amanda's arc.
The queer subtext hums away nicely under the surface, and I'd happily watch an entire film about Watts finally losing her patience and running off into the night with Amanda.
It lands where you'd expect, earrings and all, though enough heart and hairspray make you forgive how predictable it is. A sweet, slightly wonky teen romance that saves its best character for the sidelines.
Writer-producer John Hughes said this is an attempt to correct his unsatisfactory ending for Pretty in Pink, released a year before. It is the same formula, with the soundtrack of hits from the UK indie charts and the usual high school rituals, with some cute dialogue about teenage angst.
Except there's a gender flip. This time Eric Stoltz is the redhead from the wrong side of the tracks, torn between the unattainable babe (Lea Thompson) who hangs with the rich kids, and his punky, androgynous best female friend (Mary Stuart Masterson) who is secretly love with him.
When the misfit is sexier than the honey, well it's obvious where this will end up. Still, the ride is fun. If it's not as good as Pretty in Pink, that's mainly because the main actors are too old and there's no Molly Ringwald, who turned this down. Stoltz is handsome enough but lacks star charisma.
Masterson is better and her drum solo to Dr. Mabuse by Propaganda gives the opening titles a jump start. Maddie Corman steals her scenes in one of Hughes’ little sister roles. The budget means more gloss, but it's a routine ‘80s High School romcom; no surprises, just classier than most.