"Lucky" follows the spiritual journey of Harry Dean Stanton's character 'Lucky', a cantankerous, self-reliant 90 year old atheist, and the quirky characters that inhabit the Arizona town where he lives. Having out-lived and out-smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self-exploration, leading towards that which is so often unattainable: enlightenment. Released in the US just days after Stanton's death at age 91, 'Lucky', is at once a love letter to the life and career of Harry Dean Stanton as well as a meditation on mortality, loneliness, spirituality, and human connection.
This haunting, psychological horror follows Seth (Dominic Monaghan), a lonely man working in an animal shelter. His monotonous routine is broken one day when he bumps into Holly (Ksenia Solo), a girl from school who he soon becomes obsessed with. However, when she rejects his advances, Seth's obsession reaches a terrifying new level, with Holly hiding secrets of her own. 'Pet' is a dark and disturbing love story asking how much you could sacrifice in the name of love?
Cynthia (Sidse Babett Knudsen) is an orthopterist who is seemingly firmly in control of her partner Evelyn (Chiara D'Anna) through a strict, dictatorial fetish life behind closed doors. But as Evelyn's requests to be dominated become increasingly extreme the true nature of their relationship begins to surface. A story about power and the exploration of discomfort that people will stretch to for the ones they love, told in mesmerisingly coruscating style by one of Britain's finest contemporary auteurs, Peter Strickland.
When her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay - a place filled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind 'Crimson Peak'.
Among the most exciting voices in genre cinema to emerge in recent years, Justin Benson and Aaron Moorhead return with their third feature, 'The Endless'. Benson and Moorhead play brothers, former members of a "crazy UFO death cult", who receive a mysterious video cassette in the mail. The tape contains an eerie calling card from their past, inviting them to attend an event called the Ascension. Despite their apprehension, the pair agree to return for one day. At first their old friends in the cult seem warm and welcoming, but things soon turn strange as the brothers find themselves drawn into a vortex of bizarre rituals, strange messages, unseen forces and sinister supernatural secrets that threaten to tear apart the very fabric of reality.
Hussein (Mim Shaikh) is a young, oily and amoral London estate agent who would do anything to get his commission. His life takes a dramatic turn when he is tormented by an angry ex-client, Orlan (Javier Botet) who has claimed Hussein's flat as his, unbeknownst to the estate agent. Orlan becomes a living ghost who haunts Hussein's sleeping hours, wandering around the house, hiding between the walls and conducting all manner of unspeakable acts - most of which involve his own bodily fluids... As Hussein is slowly driven mad, Orlan kicks his campaign up a notch, will either of them survive what Orlan has in store?
Ingrid Thorburn (Aubrey Plaza) is an unhinged social media stalker with a history of confusing 'likes' for meaningful relationships. Taylor Sloane (Elizabeth Olsen) is an Instagram-famous 'influencer' whose perfectly curated boho-chic lifestyle becomes Ingrid's latest obsession. When Ingrid moves to LA and manages to insinuate herself into the social media star's life, their relationship quickly goes from #BFF to #WTF. 'Ingrid Goes West' is a savagely hilarious dark comedy that satirizes the modern world of social media and proves that being #perfect isn't all it's cracked up to be.
New England, 1630: William (Ralph Ineson) and Katherine (Kate Dickie) lead a devout Christian life with their five children, homesteading on the edge of an impassable wilderness. When their new-born son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unrevelling within their own fears and anxieties, leaving them prey to an inescapable evil.
When former boxer Bradley Thomas (Vince Vaughn) loses his job and is faced with the breakdown of his marriage, he decides to take a job as a drug courier to turn his fortunes around and provide a comfortable life for his wife Lauren (Jennifer Carpenter). Just as his situation begins to improve, a savage gunfight lands Bradley in jail where he has to make a series of impossible, chilling decisions to protect those he holds dear. Backed into a corner, Bradley now finds himself forced to commit ever more ferocious acts of violence across a vicious prison battleground on the path to the most dangerous confinement of all - Cell Block 99 .
A sleeper hit of the early 1980's, 'Eating Raoul' is a bawdy, gleefully amoral tale of conspicuous consumption. Warhol superstar Mary Woronov and cult legend Paul Bartel (who also directed) portray a prudish married couple who feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to simultaneously rid themselves of the "perverts" down the hall and realize their dream of opening a restaurant. A mix of hilarious, anything-goes slapstick and biting satire of me-generation self-indulgence, 'Eating Raoul' marked the end of the sexual revolution with a thwack.
A mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these man join for two desperate missions: recovering a rare pink diamond of immense values and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately beautiful and ravaged countryside. Directed by Edward Zwick, this urgent, intensely moving adventure shapes gripping human stories and heart-pounding action into a modern epic of profound impact.
Whilst investigating a series of mysterious deaths, Detectives Jerry Callum (Ed Nelson) and Gordon Mullin (James Eustermann) with the help of psychic Alley Oates (Deborah Rose), at the county morgue, unwittingly reactivate an ancient oriental curse. Joined by a trapped pathologist, an orderly and a failed suicide they fight for their lives. Only the lucky don't survive, as survival is a fate worse than death. Officious night receptionist Miss Poopinplatz (Phyllis Diller) - battle axe extraordinaire - and Floofsonis, her yapping poodle fall prey to the curse. They turn into carnivorous distortions of outrageous proportions, and turn against each other. Their worst nightmare comes true when they try to escape from the 9ft Poopinplatz and 10ft Floofsonis ghoul, complete with poodle cut and pink ribbon.
When Becca (Olivia DeJonge) and Tyler (Ed Oxenbould) are sent to their grandparents' secluded Pennsylvania farm for a week-long stay, they quickly discover something is not right with their elderly relatives. Faced with strange rules and increasingly frightening behaviour, the children soon realise it will take all their wits to make it home alive.
A young girl named Teresa Banks (Pamela Gidley) is found brutally murdered. The FBI agents leading the investigation are drawn into a bizarre and dangerous world, and then disappear. The case is handed to Agent Dale Cooper (Kyle MacLachlan). He knows it is only a matter of time before the killer strikes again. Welcome to Twin Peaks, an idyllic part of small-town America, one year later. A picture postcard setting, but hiding beneath the surface of this tranquil town lies an evil force. One that is praying on the towns most popular and beautiful student. Her name is Laura Palmer (Sheryl Lee).
Christine 'Lady Bird' McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. 'Lady Bird' is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
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