An equal parts shocking, grotesque, touching and tragic love story of ambition, passion, hubris and horrific bodily betrayal.
I haven't seen The Fly since 1989 on video and I was so grossed out I never went back until now. Nowadays, I have a stronger stomach and I have seen quite a few David Cronenberg films to be drawn back in.... After all these years, it's still astonishing from a creature FX POV. Jeff Goldblum and Geena Davis are both excellent, even though the script is whiffy - the plot is also overly simplistic and it could have done with a longer running time because Seth Brundle's (Goldblum) decline is too rapid to drum up real sympathy or horror.
Unlike so many other big 80s films, The Fly still works its magic where it counts.
6 out of 10
Loose remake of the 1956 classic sci-fi/horror with Vincent Price. It's a standard mad scientist picture with its theme of the folly of human overreach, so really there are few surprises. What made this different is mostly the grotesquery of the visual effects which won an Oscar and a prominent credit for Chris Wallas' monster makeup.
Now this registers for David Cronenberg's auteur-ish body horror, and Jeff Goldblum's reinvention of the crazy inventor as a younger, sexier nerd. This impact meant he never quite escaped the role. In support, Geena Davis is upgraded from the traditional scream-queen into a science journalist with reckless ambitions of her own.
While the quirky boffin is on a downer he takes the risk of dispatching himself through his poorly tested teleporter and his human DNA gets spliced into the fly that got in the pod with him.... so not only does the oddball genius experience a worrying and very gooey transformation into an insect but the go-getting reporter is pregnant...
These themes will be very familiar to horror aficionados and while the SFX set it apart in '86, it's these which most date it now. Still, it's the best horror of the decade, even if Threads (1984) is scarier! Many claim the metamorphosis represents AIDS, though Cronenberg says it's more about ageing. And borrows from Franz Kafka!