The screen version of The Who's concept album is a return to the kitchen sink values of the British New Wave of the early '60s (when the action is set). Phil Daniel is uncanny as a young mod assimilated into the superficial tribal identity, but inside, is all emotion.
There's an unglamorised presentation of working class life, distant from most of the usual chic of the decade, though the teenage mods do long for the elegant materialism that is hoarded elsewhere, and the status which will always remain out of reach.
The narrative, lifted from the impressionistic lyrics of the record, is mostly reportage; the speed and r&b singles, the beach fight, the classic clothes and knee tremblers. But the film fuses with the music brilliantly, cultivating a profound empathy for adolescent yearning.
This stems from Daniel's authentic performance, and Pete Townshend's songs, especially the spiritual ache of I'm One and Love Reign O'er Me. It's among the best films about the brief, tragic metamorphosis that happens between being a teenager and a wage slave.