Paddy Considine is one of my favourite Brit actors - and I keep coming across films of his that I wasn't aware of. This one is from 2000 - a BBC film so excellent production values - and Paddy certainly looks somewhat younger than he does today! The director is Oscar-winning Pawel Pawlikowski.
The film tells in quite a sparse way the experiences of a young Russian woman who flies into this country with her son - but her fiancé doesn't turn up at the airport to meet her. Questioned by immigration staff, she says she is a refugee. This is not a good move as she + son are immediately shipped off to an asylum-seekers dispersal area, and a dismal existence in a run-down flat in a tower black with no money (just vouchers), no job (she has no work permit), no contact with her 'fiancé' (because there's a single public call box and frankly he's not interested), no escape (constantly watched by CCTV and returned by police) and threatened with prison if she does abscond to London.
So far so grim. But she is befriended by Paddy Considine as the operator of an amusement arcade who helps her find her way round the system, fixes up the flat, plays with her son etc. Clearly he is hoping for more, but you'll have to watch the film to see how this plays out...
There is an offer of easy money working for a sleazy on-line porn operator and the film does indeed show something of a life of an asylum-seeker excluded from mainstream society. Clearly it's a drama but there's something about it that rings true.
[Aside: It was filmed in Margate (although the dialogue refers to 'Stonehaven'). I recognised the semi-derelict Dreamland amusement park, eventually compulsorily purchased after a court case, at last renovated and reopened in 2015 although I understand parts of it remain fire damaged]
Recommended. 4/5 stars.
Austere social realism about a Russian immigrant (Dina Korzun) and her feisty 10 year old son (Artyom Strelnikov) who claim asylum in the UK, and then get entangled in bureaucracy and the miseries of a left behind southern seaside town.
It's a compassionate look at her predicament and- made in 2000- approaches the situation without most of the toxicity which has since poisoned public opinion. She is let down by an arranged marriage, but assisted by a local jack the lad.
Paddy Considine is fine in this early role, but it's Korzun as the vulnerable refugee frustrated by officialdom who makes an impact. Margate is shot vérité style by writer-director Pawel Pawlikowski on debut with a considerable eye for detail...
And this recalls the British Free Cinema movement of the '50s. It's as much a commentary on the derelict, impoverished location as a sympathetic, early rendition of an ongoing controversy. It belongs among the classics of UK social realism.