With great character-acting from Alastair Sim and Margaret Rutherford, a typical UK film based on farce with amusing scenes and running jokes (vide the rugby posts/lacrosse nets). Great fun
For a film about schools colliding, this one spends remarkably little time in the classroom. The Happiest Days of Your Life sets up a great premise — an all-boys and an all-girls school accidentally forced to share a building — but never quite makes the most of it. Adapted from a stage play, it feels more like staff-room satire than schoolyard chaos, with the teachers getting the laughs while the pupils fade into the background.
Still, as a comic showcase for Alastair Sim and Margaret Rutherford, it’s hard to beat. Their duelling egos and impeccable timing turn even the smallest squabble into farce. The script is surprisingly cheeky for 1950, poking fun at propriety while never quite breaking it.
By the end, the energy dips and the farce turns muddled rather than madcap. Yet it remains a charming slice of postwar British chaos — all manners, mishaps, and just a hint of mischief.
A great British classic comedy in the mould of the Ealing Comedies and the St Trinians films, indeed the British class based private school system was a launchpad for comedy in film, literature and comics. Indeed you can see how films like this later influenced the early Carry On movies and later comedy such as TVs Fawlty Towers. But this is a cut above because of the fantastic lead actors in Alastair Sim and Margaret Rutherford (often forgotten British treasures). It's basically a farce centred around the restrained attitudes to sex and gender politics and one or two aspects may seem out of place to a modern audience. Set in the comedy gold world of a public school Sim plays Wetherby Pond, a pompous headmaster who fawns around the parents and Governors in the hope of advancement. When a Girls School is boarded with his boys it's more the gender mix of the teachers that causes such a hullabaloo rather than the pupils. This is a gloriously funny film and portrays a nostalgic picture of post war rural England.