Hawks' legendary western is bursting with points of interest, but there are too many flaws for it to succeed as more as a genre picture. It is the archetypal cowboy story as a group of men move cattle from Texas to Abilene just after the Civil War. Thomas Dunson (John Wayne) has built his huge cattle empire up from the dirt, and must transport the stock through 'Indian' country with Matt Garth (Montgomery Clift), the foundling he has brought up as a son.
Dunstan assumes the role of law and order among his men, which he enforces with his gun. It was a breakthrough for Wayne; quite a complex role which he fortunately elects to underplay rather than go the whole Captain Bligh. Clift competes with great élan in his debut, as Matt takes over the cattle drive. In the early scenes, Hawks seems to have Clift and John Ireland salaciously sparring like he used to get Bogart and Bacall.
But there is too much evidence of a troubled production. Ireland just disappears from the film after a promising start. The later episodes are badly scripted and the plot resolves poorly (with a typical Hollywood ending). Joanne Dru's character and and dialogue are disasters and she's not good enough to salvage such a terrible role.
It's an entertaining film which captures an impression of the expanses of the west and its intrinsic dangers. The photography and score are excellent. While Wayne is obviously at home in the skin of his western archetype, it's Clift that makes the greater impact. It's a generational film (James Dean took much from his performance). Clift is an exciting, unconventional presence and must be one of the quickest on the draw in all Hollywood.
I’ve forgotten how spectacular this epic western is: ambitious sequences of cattle driving, Indian attacks and a sweeping plot of romance and revenge to match the majestic landscapes. The performances are all impressive, especially John Wayne in yet another example of the surprising range he had when he was younger. He plays the conflicted, tyrannical aged cattle baron Thomas Dunson; pushing his outfit on a seemingly impossible, desperate drive from Texas to Missouri. This leads to locking horns with his adopted son Matthew, played by a striking-looking Montgomery Clift. There’s also humour, mainly from Walter Brennan as yet another elderly, adorable sidekick. Coleen Gray gives an impressive range as the card-sharp female lead; from cool to passionate as she tries to calm the burning feud between Thomas and Matthew. In my book, ‘Red River’ certainly earns its place among the ranks of western classics.