



Neil Simon is always diverting. If this one errs on the sentimental side, there is sufficent banter between the newly-weds to carry it along as they contend with a small walk-up apartment which would command a small fortune in contemporary Manhattan. In effect, it is made by Mildred Natwick as Jane Fonda's mother while ever-suave Charles Boyer is an impoverished neighbour who has not lost his sense of style. It all makes one hanker to jpin them in that bottle of ouzo. This is not Washington Square as Henry James knew it.
Nothing dates faster than a story about young people. And in the '60s, Hollywood was still getting started on the idea of a generation stuck somewhere between childhood and maturity. It's the old fashioned attitudes, particularly towards gender roles, which is the problem with this version of Neil Simon's hit Broadway comedy.
Jane Fonda and Robert Redford are young professional newlyweds who move into a ramshackle, fifth storey apartment in Greenwich Village. Imagine the rent! This is about their period of adjustment- to married life, the bride's straight-arrow mother (Oscar nominated Mildred Natwick) and their Bohemian neighbour (Charles Boyer).
The two stars were in their 30s and a little old for the roles. But it's still fun to see them just before they were massive. Fonda plays the sexy kook as she often did back then. Redford is maybe more beautiful but concedes the spotlight. Their main conflict is due to the husband being too buttoned up and the wife more spontaneous.
The script deals in shouty backchat more than hilarity. Yet it scores as a Technicolor time capsule of '60s Manhattan, much like Breakfast at Tiffany's (1961). They even got Johnny Mercer to co-write the theme song. It's not as memorable but the period lifestyle of post-grad New Yorkers- plus the stars- makes it still worth a visit.