I can remember seeing this film for the 1st time when i was only 6, and it scared the hell out of me! I remember peeping behing the sofa, and wondering if this could really happen, and thinking "why have those spaceships got lamp posts on top??" But to watch this film, was a treat, and you can see quite clearly, where SS ripped this film off. But this is the ORIGINAL - no mistake about this one. My score 8 - 10!
When I was a kid I used to love this film, partially because I was probably too young to watch it, and partly because it scared me so much.
Now, twenty or so years later I saw it again, and it shocked me. So many films today rely on CGI to prop up an otherwise mediocre production, this suffered none of that.
It's a well composed piece, each individual section hits the right notes, and the sum is remarkably sinister and powerful. It sums up the spirit of the original novel in ways that seem lost on todays film makers.
In summary this film is one of the best Sci-Fi films ever and should justly stand ashamed of it's modern peers.
"Parental Guidance - general viewing but some scenes..." etc etc. Some children will find it unsettling, but then again so will the adults.
George Pal's legendary production steered clear of the philosophical themes of HG Wells' classic novel and offered pure, magnificent spectacle. This was a leap forward for the visual reach of '50s science fiction, just as King Kong was for horror in the '30s. The sets, sound effects, models and costumes are phenomenal.
Wells' dystopia of social breakdown proved influential in the sci-fi of the nuclear age. The citizens behave uselessly, resorting to panic and prayer. The mob actually smashes the instruments that might be used by scientists to combat the invasion. The blitzkrieg of the militarily superior invaders is brief and brutal. Cities are abandoned and the left behind are vaporised.
Wells' estate was so impressed they offered Pal access to any other of the writer's works. But while the film is a visual wonder, including the gorgeous Technicolor, there are weaknesses in the script, particularly the lacklustre dialogue. The characters are archetypes and the unheralded cast does little with them. The pious religious sentiments are badly misjudged.
But this is a film of action, pumped by Leith Stevens hyper-dramatic score. It invented many of the future rules of sci-fi cinema and it still works as a screen filling blockbuster and a landmark disaster film. And yes, the invaders' biological flaw which dooms their conquest is again pertinent in the new age of pandemic.