Who knew Norwegians could be so talkative and sentimental?
- The Worst Person in the World review by Philip in Paradiso
This is a romantic comedy/ drama set in today's Norway. It is a film about sentimental relationships between young men and young women. The focus is on a girl called Julie, who is the central character. She works in a bookshop to fund her studies. She changes courses, not being too sure what she wants to study and aim for. She meets a range of men and, with some of them, has serious relationships. (I don't want to say too much not to spoil the story for the reader of this review.)
The film is, somehow, charming and insightful. It is realistic overall, in my opinion, although there is a 'magical realism' episode in the middle of the movie that sits there rather oddly. It is most likely the viewer will recognise many of the situations depicted in the film in relation to dating, sex, relationships, marriage, children, splitting up, love, etc. The acting is good; in fact, I found the acting of the male lead actors better than that of Julie's, but she is a convincing young woman on a quest. She is not sure what she wants and what she should aim for. She is not sure who or what she is. She is looking for meaning in her life in order to make the right choices. She is not sure she wants a partner who is intellectual (too intellectual is boring...) or not intellectual (too unintellectual is boring). At times, she is annoying because of her behaviour: there is something immature, egotistical and even selfish about her, at any rate in the first 70% of the film. Towards the end, the movie changes as the narrative changes and, with it, Julie.
Overall, I enjoyed it, although I found it a bit too long. It could be a good TV drama. It is not a bad film. If you like sentimental dramas of this kind, you will be delighted, I think. And young Norwegians seem to be surprisingly talkative, articulate, sensitive and sentimental - all of it expressed in their rather guttural language. But is it a great film, as some reviewers have implied? Certainly not. The story is simple, somehow. It is moving in places, but it is not a masterpiece. It is even a bit shallow, in some respects, because Julie can be viewed as profound in some ways and rather superficial in other ways. Still, it may make you think about the characters, what they are, who they are, why they did what they did, etc., after you have seen the film, which is always a good sign.
5 out of 6 members found this review helpful.
Not quite the worst film in the world, but a big, long bore
- The Worst Person in the World review by JR
This is two hours of the naval gazing of a self obsessed, commitment phobic, libidinous young woman. Her character is so charmless, so lacking in insight, contrition or compassion that one soon gets very bored with her. It's like spending two hours of reading agony aunt columns in a women's magazine, but without the genuine suffering.
4 out of 6 members found this review helpful.
Watchable and engaging
- The Worst Person in the World review by PD
This highly enjoyable piece stars Renate Reinsve as 30-year old Julie, who has a smile that could light up whole cities. Though the character is something of an millenial archetype, Reinsve is very good at conveying her character's forcefulness and frustration; believably rendering Julie clever enough to become anything she wants, but also naive enough to feel blindsided by the realisation that she’ll eventually have to choose what that will be.
The film's a bit soap-opera/netflix light and frothy at times, but it's so vibrant that you can't take your eyes off it for a second, with touches of vintage Woody Allen: the film is never more fun than when Julie is second-guessing herself and/or trying to keep time from slipping through her fingers. There's good chemistry with Anders Danielsen Lie as Askel, a 44-year-old cartoonist whose underground success frees her to work in a bookstore while she waits for inspiration to strike. Julie begins to write, and her pieces enjoy moderate viral success; none more so than “Oral Sex in the Age of #MeToo,” which represents one of the rare moments when the film meaningfully grapples with how vastly the internet broadened the opportunity to flirt with new jobs and fuck perfect strangers. The film also contends with time in other, more elemental ways: the fragmented nature of its literary structure allows us to feel the years slipping through Julie’s fingers, while the close-up focus of its best chapters puts isolated moments under a microscope to see how certain nights can echo for a lifetime. One such night begins with Julie spontaneously waltzing into a random party, where she meets goofy barista Eivind played by Herbert Nordrum (the chemistry is much less good, unfortunately). How intimate can they get without cheating? It’s a dangerous game for someone with such an unrequited desire for the unknown. Later, in a wonderful sequence that should resonate with anyone who’s ever asked themselves “what if?,” time itself comes to a complete standstill across the whole of Oslo as Julie runs across the city from one man to the other - this is the ever-relatable fantasy at the heart of this film: choice without consequence. By contrast, a breathtakingly-good break up scene shows us the consequences.
The ending is all a bit too neat and tidy, with Julie's artistic development left to the imagination throughout, but a slower and distinctly moving third act is somewhat deeper (a great short scene involving Askel in a heated exchange during a radio interview is really good), and engages with some moral questions from the existential morass of its circumstances and though we, as with Julie, are unprepared for this, it has the effect of leaving us on a thoughtful, meditative note. Two hours well spent.
2 out of 4 members found this review helpful.
Very wordy, overlong, often pretentious Norwegian film, obsessed with ticking MeToo boxes.
- The Worst Person in the World review by PV
The same director made the BEST film about drug addiction ever made - OSLO, 31 AUGUST. Used the same actors too! Just watch that, and ignore this over-rated wordy pretentious self-absorbed character study of a very spoilt and demanding privileged young woman in Oslo, the (privileged posh well-off director's home city, though his dad and grandad were Danish film aristocracy).
A shame then that all his other films since then seem to be an attempt to ride the MeToo bandwagon, with main female characters, as no doubt he knows a trend when he sees one. It worked - for that reason the screenplay for this was nominated for an Oscar. The wordy, rambling, telling-not-showing, pretentious screenplay. Tsss.
I almost turned this off, as it is so achingly pc and ticks all the MeToo boxes. That often means like so many movies which do this, it massively stereotypes ALL men and boys, brands them as this and that as if all males were one being. Just sexism, and the usual misandry of professional feminists (as captured here in a radio interview scene).
There are some great scenes though, satire of the absurd way some think some DNA test which shows they are 3% African, think they are African (despite the fact DNA tests present populations AND Africa/Asia populations are full of white European ancestry due to the slave trade of white Europeans, and empires since Alexander in 300BC).
Some moving later scenes too. BUt a lots of self-obsessed self-absored flab here too, very wordy and obsessed with Metoo. The main cartoonist character guy is played by a great actor, Anders Danielsen Lie, also in OSLO, 31 AUGUST.
Always fun wit Scandinavian films though coz one sees the SAME actors again and again - it's the new Australia! Remember when the same Aussie actors popped up in all soaps and movies from Aus?
Anyway, not bad but not good, 3 stars, just.
2.5 rounded up - great music soundtrack though.
1 out of 1 members found this review helpful.
Unexpectedly emotionally moving
- The Worst Person in the World review by AB
This film immediately goes into my top 10 (though I don't know what's been booted out). Ignore the slow start; as a spoiler alert, watch for the scene where the lead character finally falls in love; I've never seen an attempt to explain it, done better. Glorious and enjoyable, what cinema should be about. Bravo!
1 out of 2 members found this review helpful.
Scenes from an Unfinished Self
- The Worst Person in the World review by griggs
Trying to build a personality out of other people’s expectations is exhausting; Julie just turns it into a lifestyle. The Worst Person in the World follows her thirty-something drift through studies, jobs and lovers, and Renate Reinsve does heroic work making all that dithering feel alive. Most of Julie’s character lives in her face and timing – the script leans a bit too hard on the men around her and a useless dad to sketch in the rest.
The central idea is strong: a woman terrified of choosing, bouncing between Aksel’s settled, grown-up life and Eivind’s low-stakes drift, slowly realising neither of them can hand her a ready-made self. I just wanted more of the creativity the film insists she has – more actual writing, more photography, maybe even one close female friend. There’s a faint hollowness at the core.
But the individual moments are killers. The frozen-time run across Oslo, the break-up with Aksel that plays like its own mini-movie, the awkwardly tender bit where Julie and Eivind watch each other pee – they all land with a jolt of recognition. In the end, it’s a beautifully crafted, emotionally sharp character piece that stuck with me more as a string of great chapters than as a fully satisfying whole.
1 out of 1 members found this review helpful.
Clever, Modern Relationship Drama
- The Worst Person in the World review by GI
An absorbing romantic drama with a stunning central performance and arguably a very adept, modern take on relationships. Renate Reinsve plays Julia, a gifted, highly intelligent young woman living in Oslo. We join her training to be a doctor but she soon gives this up and in a very short space of time we get to understand that Julia is struggling to find her role and place in life as she flits from one plan to another. Told in 12 chapters with a prologue and epilogue this follows Julia's life through her two main relationships, one with a slight older man and later one her own age. She leaves the first for the second and is continually struggling with her life goals including the thorny issue of whether to have children. I can't exactly point to which character the title refers to as Julia is not by nature a bad person indeed her emotions are pure and often control her actions, but it could be read that the title refers to how she sees herself. The film has some great ideas and two enthralling set pieces one where time stands still as she runs through the city to meet her new lover and the second when she takes a hallucinogenic drug and during the 'trip' confronts her dysfunctional and selfish father. This film has been described by its director, Joachim Trier, as a romcom for those that hate romcoms. There is humour here but it's not a film easily categorised as a romcom and is much more a tragic relationship drama that opens up debate around modern ambition, love and life. An interesting and lovely film well worth checking out.
1 out of 2 members found this review helpful.
Would have been nice
- The Worst Person in the World review by Ernie
Sadly its not made clear that this film is in Norwegen with sub titles which has the dialogue was rapid made it impossible to follow. So be warned
0 out of 1 members found this review helpful.
Brilliantly made, mature look at the difficulties of relationships with an excellent Reinsve
- The Worst Person in the World review by Timmy B
The Worst Person in the World is an interesting watch. It has, more than many other films recently, really managed to find a way to look at relationships and the challenges they bring. This is coupled with focussing on a protagonist who is at times unlikeable and also extremely indecisive, not just the stock woman who decides that her life is not going well so changes everything in it, including her partner. The result is an at times highly emotional & honest look at modern dating.
We first meet Julie, a headstrong & pretty woman in her 20’s, who is restless and unsatisfied with the direction her life is going in. Within the first few minutes of the film, she has twice changed subjects, starting as a surgeon, then reading psychology before deciding her true calling is photography. She has some flings before settling down with Aksel, a cartoonist who has created a moderately successful, immature character which is in many ways a composite of his own feelings. Despite being financially secure, Julie starts to feel disconnected, then one night crashes a wedding & meets Eivind, who she forms an instant connection with.
The best part of this film is unquestionably Renate Reinsve, who richly deserved her Cannes Best Actress award. Julie could have, without Reinsve’s performance, been an extremely prickly & often annoying protagonist. And whilst this at times did come through, due to the writing, Reinsve was able to keep my focus. There is a lot of playfulness to Julie, which is definitely an essential part of her make-up and made me relate to her. She is feisty, vulnerable & mischievous, whether it is imagining a scenario where she could pause time & play about in the moment, through to getting her boyfriend’s attention by flashing him with a great big grin on her face.
Speaking of sexuality, this is also a film which treats intimacy extremely carefully. Julie is, unlike many other characters in these types of films, a woman to whom sex is an extremely enjoyable & important part of her life. She is a million miles away from a character to whom intimacy is a negative, which then makes you wonder exactly why they are pursuing love so intensely. And she is open about what turns her on, which gains respect from her partners, for being honest as well as open.
There are some moments where the story did start to test my patience, as well as a couple of times the plot went in nonsensical directions, but this was luckily not that often. The worst of these was actually in the first 30 minutes, when Julie & Aksel are invited to a party out in the country and this drags on & on.
However, this film also has a break-up scene for the ages, which absolutely broke my heart as it was done so carefully & beautifully. It includes some of the best dialogue in the film, as well as an honesty which is searing: Julie talks about her feelings, which in one sense make no sense and in another are how so many people feel when the basics of the relationship might be there, but the true feelings of love simply aren’t any more. And it ends with an intimacy which just feels right & not in any way gratuitous.
The only other time the film hit bumps in the road was with a couple of characters who it seems had been included simply to antagonise the audience with just how loathsome their intolerance & smug supposed superiority was. Although these were fleeting, it did leave a bit of a sour taste, as well as no doubt giving a small select few watchers a boost to their ego’s.
But this is an extremely moving, highly competently made & beautifully shot musing on relationships, life & all of the challenges we face in trying to love someone.
0 out of 0 members found this review helpful.
so slow
- The Worst Person in the World review by WW
it was quizzical but a slow story from Norway. I was expecting more. pity not in English as difficult to follow at times
0 out of 1 members found this review helpful.