Liberty?
- Three Colours: Blue review by HM
Well it is supposed to be about liberty; one of the French revolutions' 3 ideals of equality liberty and fraternity. However, there are issues of equality too as the female character (Binoche) is widowed and struggles to liberate herself from her past. Was she always in the shadow of her husband a famous composer? Was her talent stifled by his? Emotionally intense, the film doesn't let you off the hook as you experience her misery and pain almost to the point of claustrophobia.
I enjoyed it immensely but some may find it too grim to be entertaining. A heavy drama!
4 out of 4 members found this review helpful.
Beautiful
- Three Colours: Blue review by sb
FILM & REVIEW Hard to belive this is almost 30 years old and is still an astounding piece of cinema. Binoche plays Julie who loses her husband and daughter in a car crash and cuts herself off completely from life. He was a famous composer working on a symphony for the reunification of Europe (Its set in 1991) but she destroys all the manuscripts , moves out of the chateau and rents a chilly apartment in Paris. She has a brief fling with her husbands best friend Regent (Benoit) but tells him he will never see her again. She tries to move on but the music will not leave her in peace as fragments keep intruding as it’s implied that she was responsible for a lot of the work. She befriends a local hooker who she saves from eviction and visits her mother who has dementia and one night sees Regent on tv saying he will try and finish the final symphony as the publisher kept a copy. Julie makes contact with Regent and discovers her husband had a long term mistress who is carrying his child - he died without knowing and all these events begin to see Julie begin to re-engage with life. It’s one if the finest examples of loss, grief and redemption on screen - Binoche gives one of her finest performances underpaying all the emotion which is more profound used this way. Kieslowski uses a series of fades in each scene as the music soars acting as a counterpoint to the events and the final montage as the music is completed is just beautiful. As always with his films the score by Priesner is as important as the visuals……it’s really is a stunning film and as always you wonder if Kieslowski handn’t been taken at 54 just many more works like this he could have made - 5/5
4 out of 4 members found this review helpful.
Individual liberty!
- Three Colours: Blue review by LB
The theme of this film is liberty, as inspired by the French revolutionaries. I made the mistake of thinking this was political liberty as opposed to individual--the main character (Julie) is attempting to find freedom from her grief after being the sole survivor in a car crash. I found it very uplifting, personally, although it is quite an open ending and things are regularly left up to the viewer.
3 out of 3 members found this review helpful.
Blue For Freedom
- Three Colours: Blue review by CP Customer
I saw Three Colour Blue, many years ago and watching it again recently I found that it was as emotional as all those years ago! Juliette Binoche who plays the part of a woman whose husband, and daughter die in a car crash finds a way to overcome her loss through simple things, and she is even able to take in the fact that her husband was having a relationship with another woman! Juliette eventually accepts the fact that her husband's music must outlive him.
2 out of 3 members found this review helpful.
An Amazing Drama
- Three Colours: Blue review by GI
A truly absorbing drama, an example of cinema as art and a film that is complex, literally astounding visually, in its performances and and depth. This is a film focused on grief, liberation and emotional freedom with a central performance from Juliette Binoche that is superb and riveting. She plays Julie, who loses her husband, a famous composer, and her young daughter in a car wreck. She attempts to withdraw from her previous life by living in solitude in a poor Paris suburb. She appears to harbour a secret about her husband's work and tries to avoid her past which creeps inevitably back to draw her into facing life again. It's such an absorbing film with a brilliant musical score, masterful direction from Krzysztof Kieslowski in which he provides a rich symbolism of Julie's emotional state for example in the use of the colour blue to represent her being forced to face her life above and beyond her attempts at withdrawal. A film in which I found myself reminded of my passion for cinema. An absolute must-see.
1 out of 1 members found this review helpful.
Deep Blue
- Three Colours: Blue review by Steve
The first of Krzysztof Kieslowski's three colours trilogy, which reflects on the ideals of the French revolution as symbolised by the tricolour; liberty, equality, fraternity. The concept has always felt tenuous to me... though the three films are clearly linked, and they individually and collectively explore the interconnectedness of our lives.
And this involves a spiritual dimension. The wife of famous musician loses her husband and daughter in a car crash and enters an extended period of shock. So her normal sense of interdependence goes into stasis. This is more profoundly felt rather than spoken, through Kieslowski's skilful manipulation of all the cinematic tools....
And this includes the use of visual expressionism, as when screen is occasionally saturated in blue. Though this seems to imply the widow's numbness and subliminal desire for rebirth rather than anything to do with liberty. Of the creatives, credit is most due to Zbigniew Preisner whose orchestral score is central to the narrative.
Plus there's a signature role for Juliette Binoche as the bereaved mother/wife; a harrowing and exposing performance, completed by that heartbreaking final closeup. It's a deeply emotional experience and if Blue doesn't- for me- quite make the same exhilarating spiritual connection as Red (1994), then I believe for others it will.
0 out of 0 members found this review helpful.