Rent Stray Dog (1949)

Goes astray in places - Stray Dog review by CP Customer

The performances are fine. The maguffin that drives the hero is a simple one but much flows from it. My only criticism (without wishing to spoil the plot) is that the market scene really really drags – and it requires some goodwill on the viewer’s part to recover from this downturn. But your perseverance would be rewarded.

Gripping - Stray Dog review by sb

FILM & REVIEW Stray Dog - another one off my bucket list - Kusosawa’s superb and rare excursion into the cop genre. Mifume plays Marikami a rookie homicde detective in post war Tokyo. He looses his Colt 45 to a pickpocket on a crowded bus and overcome by shame offers to resign. His boss however assigns his the task of recovering it which initially plunges him into the underbelly of Tokyo and begins to see there is traffic in stolen guns. His is used in a robbery which ends in a wounding and he is assigned to that case with older more experienced Sato (Shimura ) and the hunt is on. They trawl through nighclubs, geisha bars and even a baseball ball game then discover the gun has been used again this time in murder. Each time Marikami is ever more riddled with guilt as this is all his own doing as the net closes. The whole thing is set during a blistering heatwave where everyone is tired, irritable and dripping in sweat that adds to the sense of oppression with a vital scene towards the end during a massive thunderstorm and torrential rain that breaks the heat. Mifume is excellent with a solid supporting cast and although it’s 1949 it’s remarkable how persuasive American culture already is with baseball, jazz and dancing girls. It’s interesting how it’s a cop procedural with an early example of the buddy cop movie that became such an important part of Hollywood movies - very good indeed- 4/5

Policemen on the Verge of a Nervous Breakdown - Stray Dog review by Count Otto Black

Akira Kurosawa made some great movies. Unfortunately this early film isn't one of them. Oddly, it has approximately the same plot as the much later "Blue Steel" starring Jamie Lee Curtis, one of the last people you'd expect to step into the shoes of Toshiro Mifune! Talking of whom, he's not as over the top as he sometimes was, probably because he's not playing his default character, the incredibly stern samurai who looks as though he has barbed wire for breakfast, but I constantly had the impression that this man wasn't ideally suited for police-work, being both emotionally unstable and not over bright. That other less celebrated frequent member of Kurosawa's ensemble, Takashi Shimura (you may remember him as the leader of the Seven Samurai), gives a far better performance, and is much more plausible as a competent policeman.

The film's strength lies in its characters. Almost everyone we meet, including the criminals, is a believable human being with complicated motivations that aren't one-dimensionally good or bad. The hero is, as another character points out to him, irrationally obsessive about the crimes committed with his stolen handgun by somebody who would otherwise have done exactly the same things with a different gun, so really he's more concerned about his wounded pride than anything else. The "stray dog" of the title, although he remains unseen for almost the entire film, is repeatedly shown to be no supervillain, just a weak, muddled man doing bad things for confused, pathetic reasons. Even minor characters are allowed odd little moments where they do something quirky, such as admiring the night sky simply because they've just noticed how pretty it is.

The film's weakness is that it's very slow, and not much happens. Almost all the really dramatic incidents take place offscreen, and we're shown way too much footage of Toshiro Mifune wandering down streets or sitting in rooms waiting for somebody to eventually reveal a vital piece of information. I expect this is an accurate depiction of what real police-work is like, but it's not terribly interesting. I'd give it two and a half stars if this site allowed me to, but I'll go the extra half because Kurosawa was clearly trying to do his best. But his best was yet to come, and in 1949 he had a few things still to learn about plot structure.