Enchanting view of a sublime Venice.
- Summertime review by CB
Beautifully filmed in Venice, a treat of its own. The storyline is predictable, so what, The star is as magnetic as ever. Just the ending though....did they run out of ideas or money? Seemed rushed and deflationary.
2 out of 2 members found this review helpful.
Holiday Fling, Heart on Hold
- Summertime review by griggs
Summertime finds its rhythm in arrivals and departures—steam, whistles, and the brief courage of holidays. Lean shoots the city without irony: Piazza San Marco, narrow canals, light that forgives and reveals. Katharine Hepburn’s Jane is the film’s quiet centre—self-possessed, yes, but watch the edges: the guidebook fussing, the self-timer photograph, the way she hovers at a café table as if permission might arrive with the bill.
The romance with Rossano Brazzi’s Renato warms rather than overwhelms; Lean lets flirtation sit alongside self-reckoning. What looks like a postcard turns out to be a mirror. Not much “happens,” unless you count the small shift from wanting a story to accepting a life.
She arrives alone, leaves alone, and somehow that feels like progress. A brief encounter by other means—and a city that makes solitude look like choice.
1 out of 1 members found this review helpful.
Venice Travelogue
- Summertime review by NO
Delightful Film-no surprises but Venice is beautifully filmed .Simple story for swooning teenagers.Hepburn is excellent & Rossano charming.
I am not surprised that David Lean made Venice his second home after this.
1 out of 1 members found this review helpful.
Venetian Holiday.
- Summertime review by Steve
Another brief encounter for David Lean. Katherine Hepburn plays a loud but lonely and introverted American tourist in Venice. She makes friends with a barefoot child before falling in love with a handsome, romantic antique dealer (Rossano Brazzi) who encourages her to embrace life. So it's a kind of fantasy, except the poetic Italian is married with four children.
Kate gets top billing, but Venice is the star. The bright, sunny Technicolor is joyful. And the rich sound is evocative. The middle aged sightseer films everything and we see through her eyes, a city of history, romance and miracles. A place where the shell of her new world pragmatism might crack and a painful emotional rebirth take place.
There were many films after WWII, about a single American woman of a certain age finding adventure in a touristic Europe. And there are no real surprises here. But while this is formula, it is supremely crafted. Its strengths are the spectacular location photography and a salty performance by Hepburn... but also a feeling of euphoric optimism.
I much prefer the acting of an older Hepburn. Though it is obvious what is coming, it is easy to empathise with her brittle solitude. Brazzi is a very smooth and wise seducer who seems to stroll around tourist sights looking for lonely travellers. Lean attempts to create an impression of Venice at the dawn of mass tourism. He should see it now.
0 out of 0 members found this review helpful.