Hold onto your chimichangas, folks. From the studio that brought you all 3 taken films comes "Deadpool", the block-busting, fourth-wall-breaking masterpiece about Marvel Comics' sexiest anti-hero: Me! Go deep inside (I love that) my origin story...typical stuff...rogue experiment, accelerated healing powers, horrible disfigurement, Red Spandex, imminent revenge.
I just laughed all the way through
- Deadpool review by CC
(2) of (2) members found this review helpful.
You rated this film: 5
It's nice to see a film that manages to both send up and yet be a crucial cog in its format, at the same time. This is a great addition to the Marvel universe and yet it relentlessly rips the **** out of X-men franchise all the way through.
It's funny, sweet, crude, exciting and generally all round great.
Warning - contains several shan pop-earworms of the eighties which will haunt you for days. I'm still trying to eject Careless Whisper from my brain's internal jukebox.
Very good addition to the marvel universe films. Loads of action throughout the film and some comedy moments. Yes quite a bit of bad language . Not your usual clean cut hero . Looking forward to the next film.
The epitome of modern cinema
- Deadpool review by MD
(0) of (0) members found this review helpful.
You rated this film: 1
Call me old-fashioned (and I'm sure many folks will do much worse), but this film struck me as the ultimate modern movie - utterly slick, very clever in a way, and using an in-your-face script and every movie trick imaginable to maintain its high octane entertainment level throughout.
Trouble is, if you are old-fashioned like me, it's all utter rubbish. The totally OTT violence, the endlessly repetitive bad language, the gratuitous sex, the crass main character, the ridiculous plot, etc, etc, do not do a damn thing for me, no matter how cool/exciting/smart we're supposed to believe it all is.
So, I'm sure many folks will enjoy this, but just make sure you know what you like before renting it. It may be a 2 hour delight, but it could equally be two hours of hell.
There are at least seven movies in 2016 that are based on comic book superheroes. With their relentless explosions and one-liners, it’s going to be an exhausting year. Thankfully, the first superhero movie of the year is a refreshing bit of satire that doesn’t take itself so seriously. Deadpool is aware of its audience, its formula and its universe, spitting in the eye of each one with a vulgar smile.
The concept of Deadpool is just plain fun. He’s an anti-hero that cracks more jokes than Peter Parker, kills more baddies than Rambo and breaks the fourth wall more than any other movie character in recent memory. His humor ranges from infantile to referential. In the midst of a gunfight, Deadpool takes a timeout to make a poop joke. When addressing the audience about how he got his own movie, he makes cracks about Wolverine. It’s all very silly and juvenile, but there’s just something so amusing about its fearless attitude to break all convention.
But what’s most unique about Deadpool is how refreshing it is for a comic book movie. We have the standard origin tale of Deadpool being a regular guy before a secret test facility curses him with regenerative abilities. We have our obligatory British villain that’s classically evil. We even have a team-up as two affordable X-Men characters attempt to keep Deadpool in check. But the ultimate plot doesn’t involve some lame MacGuffin or a diabolical plan to save the world. It’s a straight revenge tale without any of typical bells and whistles of a superhero epic. You have no idea how happy I am to not see another destructive blue laser or demolished city. Having the climax take place on an old aircraft carrier is a great change of pace.
Deadpool is rated R and earns its rating well. Aside from Deadpool’s potty mouth, there’s a multitude of blood and gore throughout - all of which is approached with a semi-comical tone. Arms detach, heads fly and a body splatter against a road sign. As Deadpool shoves his swords through an enemy’s chest, he pauses the picture to comment on how this isn’t your usual superhero movie. This doesn’t occur until about 10 minutes into the movie, but the audience has already picked on this with the violent car chase. The character is just basking in his divergence at this point.
While Deadpool is incredibly funny, a little of him goes a long way. His constant references to the budget of the picture and the changing of timelines made me smile, but never truly laugh. His vulgar dialogue becomes a bit monotonous by the end to the point where it almost becomes tiresomely lazy. The repetition of certain jokes don’t hold up that well either - a joke about wearing brown pants to be prepared for emptying your bowels is decently funny once, but not the second time around. When Deadpool works best is when he’s given a straight hero to play off of. Any scene where he is paired with the metal-faced Colossus and the angsty teen Negasonic Teenage Warhead (what a name) is pure comedic gold.
Deadpool is the bloody, silly and self-aware comic book movie I never thought could exist in the current formula of superhero movies. And, yet, here it is. It’s a movie that’s smart enough to play to its fans (the opening shot features a nod to comic artist Rob Liefeld) and crass enough to please casual moviegoers. It’s also pleasing to finally see Ryan Reynolds in a role that fits him as perfectly as his costume. The snide humor of the picture makes it teeter on the edge of being a childish mess, but I appreciate the cavalier attitudes of the filmmakers willing to risk so much for such a comic book movie. The landscape is too crowded right now to play it safe and Deadpool playfully gambles all or nothing.