







To get sent this disc of ‘bonus material’ as a separate choice just feels like a con. A complete waste of a film and we did not even consciously ask for this. Going straight back!
Elia Kazan's beautiful epic only tells the last part of John Steinbeck's long novel and simplifies what remains. It is a loose updating of the biblical story of Cain and Abel relocated to California, which plugs into the landmark, method inspired performance of its debuting star, James Dean.
The generational schism between the introverted, maladjusted son (Dean) and his domineering, righteous father (Raymond Massey) captures the spirit of the '50s rather than the early century setting. The search by the young man for personal identity and freedom was a sensation with teenagers.
What most attracts now is Kazan's spacious, artistic rendition of the Salinas Valley, California on the edge of WWI, in Cinemascope. It is a gorgeous production. The colour and camera effects still look amazing. Though its only Oscar went to Jo Van Fleet as Dean's estranged mother.
Sadly the film ends badly with the boy seeking and finding understanding from the stubborn, dying patriarch, which negates the rest of the story. But it remains an ambitious blockbuster about all the big biblical sins. And the legend of James Dean still lives in his only starring film released before his death.