Millennium Actress is a brilliantly constructed, visually gorgeous film, and probably the easiest way into Satoshi Kon if you've never seen his work before. It feels like the work of a director completely in command of animation as an art form. Kon pulls off things here that live action simply couldn't, blending memory, performance and Japanese film history so fluidly that one slips into the next without you noticing.
The echoes of Setsuko Hara — and, as Kon himself admitted, Hideko Takamine — are hard to miss, and as a card-carrying Hara admirer, that only deepened the appeal for me. It's not a straight retelling of anyone's life, thankfully. What Kon does instead is far freer, stranger and more inventive, and the film is all the richer for it.