Rent Bullets Over Broadway (1994)

3.6 of 5 from 122 ratings
1h 32min
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Big-city mobsters and the Broadway stage collide hilariously in this side-splitting, all-star comedy that has audiences and critics rolling in the aisles! John Cusack stars as David Shayne, an idealistic young writer who'll do anything to get his first Broadway play off the ground - even if it means teaming up with the mob! Surrounded by a wacky cast of characters, including a gangster's ditzy girlfriend, a mob hit man, and a tipsy actress, Shayne's got to pull it all off before the curtain falls, and the bullets start to fly!
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Woody Allen, Douglas McGrath
Jeffrey Kurland, Santo Loquasto, Susan Bode
Walt Disney

1995 Oscar Best Supporting Actress

Release Date:
Run Time:
92 minutes
English Dolby Digital 1.0 Mono
DVD Regions:
Region 2
Aspect Ratio:
Widescreen 1.85:1

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Reviews (1) of Bullets Over Broadway

Includes spoiler. - Bullets Over Broadway review by Steve

Spoiler Alert

Woody proved he could still do comedy with this period film about a serious young writer (John Cusack as David Shayne) seeking to produce a drama on Broadway in the twenties, who is backed by a mafia don on the condition Shayne cast his ditsy gold-digger moll, Olive (hilariously played by Jennifer Tilly). Cusack also bags Helen Sinclair (Diane Wiest) an ageing alcoholic diva and the queen of New York theatre. The production runs into hilarious difficulties while secretly being taken over the latent genius of Chazz Palminteri (Cheech), the heavy assigned to keep an eye on Olive.

 This is one of the funniest films ever made. Naturally much of that is down to Allen and Douglas McGrath's incredible script, but it's hard to imagine that this cast could be bettered. Diane Wiest as the temperamental egomaniac manipulating the author to improve her role is extraordinary.  Jim Broadbent as a gluttonous English ham and Tracey Ullman as a perky ingenue mothering her yappy Pekinese, as well as Jennifer Tilly, are all exceptionally funny.

The plot complications are ingenious. There is a theme here of whether the true artist is so precious to mankind that s/he operates beyond the law, but it is presented in a comical way which never obstructs the flow of gags.

Broadway in the 1920s is skilfully recreated. The choreography is excellent. The conclusion when Cheech utters Helen Sinclair's catchphrase after being gunned down (thus revealing she had secretly uncovered and seduced the real artist) is absolutely inspired (and apparently ad-libbed). This joyous comedy is one of Woody's best films and was subsequently transformed into a successful stage musical. 

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